Archive
Monthly Archives: April 2016
Monthly Archives: April 2016
Radial Engineering makes a grand variety of useful direct boxes, and just about the time you think they’ve thought of everything, they come up with something new. One of the company’s more unique DIs is the new BT-Pro, a unique Bluetooth direct box that converts a wireless audio signal into an analog stereo balanced line. This […]
Continue readingPaul McCartney is one of the most influential bass players ever, and it’s always very cool to be able to listen to his isolated bass tracks. Today we’ll take a listen to The Beatles “Drive My Car” from the Rubber Soul album. Here’s what to listen for. 1. Listen to the pickup notes at the […]
Continue readingWe’ve all been at an airport or train station, or even a concert, where there’s an announcement and we can’t quite make out what it was over the noise. Those days may soon be over thanks to a new speech enhancement technology from Fraunhofer called ADAPT DRC. Researchers at the Project Group Hearing, Speech and […]
Continue readingMany times the ear candy of an overdub session can really make or break a song, but sometimes it’s not easy to create to capture that magic. Here’s an excerpt from the upcoming second edition of my Music Producer’s Handbook that can act as either an outline or as a reminder to check a number […]
Continue readingKevin Killen is a great engineer with a host of big time credits (U2, Elvis Costello and Peter Gabriel, for instance) and he’s been much in demand as a mixer for a long time. When I wrote the first edition of The Mixing Engineer’s Handbook, Kevin was one of the mixers I most wanted to […]
Continue readingRegardless of your age, you’ve no doubt heard much of Rumors over the years, the great Fleetwood Mac album from 70s. The songs from that record are still heard everywhere today, and a tribute to the contributions to the project (as well as 3 others by Fleetwood Mac) by my guest on this week’s podcast […]
Continue readingIt doesn’t matter what microphone you like to use on toms, because chances are that it’s going to pick up a lot of the cymbals as well. This is pretty typical because most of the mics that end up on toms have a cardioid pattern. The problem is that there aren’t too many true hypercardioid […]
Continue readingUsually I post an isolated track on Friday, but this is something that’s pretty close. In this video, engineer John Cuniberti uses a single stereo mic, in this case a AEA R88 stereo ribbon, to record the band San Geronimo – no overdubs, no additional mics. For those of you who don’t know, John was the guy […]
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