It’s always a treat to hear the isolated tracks from a hit, especially when they’re from the old days of extreme tape machine limitations. The Beatles “Day Tripper” is an excellent example of how great a recording could be with only 4 tracks as we listen to the isolated bass and drums from the song. Of course, the magic is all in the song and you can certainly hear that in the recording. Here are some things to listen for.
1. The sound of the bass. It’s pretty woofy and not too defined like it would be in later recordings, but actually works in the track pretty well in when mixed with everything else. The bass sounds pretty bad by itself, which proves the point that sometimes relying on the solo button isn’t exactly the best thing for a mix.
2. There’s a lot of leakage. That would make producers, engineers and players crazy today but it was just standard operating procedure back then. No big deal, you just make it work for you.
3. The B-section bass changes. Paul McCartney plays a different part on each of the three B-sections, but each one of them is brilliant and works as well as the previous one. I wonder if this was planned or just happened spontaneously?
4. The drum B-section snare. Ringo play’s a little pickup snare fill on the second half of the B-section that almost sounds like a mistake. it’s a tad slow, as are the fills and builds, but it actually works well against the other tracks.
5. The bass line on the outro. It’s also a little different from what you’re used to hearing. It actually sounds like this version of “Day Tripper” might either be an outtake or the song was edited to make it a bit longer on the final version.
6. There’s an ending. You don’t hear it on the record but there’s one there if you listen to the end.