The 6 Trouble Frequencies That could Ruin Your Mix Cheat Sheet

Stop the frustration and bring clarity and separation to your mixes. You'll be surprised just how much this information will help.

Download it Now!

Category Archives for "Engineering"

Listen To The Sound Of A Neutron Star

neutron star

It’s funny how life presents unusual opportunities that can sometimes lead us down a path that becomes our life’s work, yet we never had an inkling about it previously. That’s what happened to Mark Ballora. During the first year of his PhD, he was asked to turn heart rate data into audio, and he’s been turning […]

Continue reading

Sylvia Massy Explains The Dick Mic

Sylvia Massy Dick Mic

Producer/engineer Sylvia Massy is well-known for creating outside-the-box recording techniques, and one of them is the “Dick Mic.” Essentially it’s a mic positioned in the middle of the drum kit and pointed at the drummer’s crotch. It’s used to fill out the sound of the kit, only it provides a somewhat closer sound than a […]

Continue reading

Mack On Recording Queen And ELO

Mack

With a who’s who list of credits such as Queen, Led Zeppelin, Deep Purple, The Rolling Stones, Black Sabbath, Electric Light Orchestra, Rory Gallagher, Sparks, Giorgio Moroder, Donna Summer, Billy Squire, and Extreme, the producer/engineer who goes simply by the name Mack has made his living making superstars sound great. Having recorded so many big […]

Continue reading

Sam Okell talks about remixing Sgt Pepper

Sgt Pepper Sam Okell

Abbey Road Studios senior engineer Sam Okell had the unenviable task of remixing one of the most listened to and beloved album of all time – the 50th anniversary release of The Beatles seminal Sgt Pepper. Sam and producer Giles Martin (son of original Beatles engineer George Martin) were tasked with a job that many […]

Continue reading

Eddie Kramer On Recording Jimi Hendrix

Eddie Kramer

Engineer/producer Eddie Kramer has a resume that’s a mile long, but the credit that he’s forever tied to is Jimi Hendrix. I was lucky enough to be able to spend some time with him a few yeas ago, and he gave me this great interview for The Recording Engineer’s Handbook. Here’s an excerpt from his […]

Continue reading

The 8 Constants Of Vocal Recording

vocal recording distance

By my count, there are 8 “constants” that we find in vocal recording. These are items or situations that almost always prove to be true. Just keeping them in mind can save you a lot of trouble in the search for a sound that works for you and your vocalist. Here are a few tips […]

Continue reading

Geoff Emerick On Recording The Beatles’ Sgt. Pepper

Geoff Emerick

Geoff Emerick is one of the 5 engineers to work with The Beatles and is probably the one most identified with the group. Other than his great book (Here There And Everywhere: My Life Recording The Beatles), you don’t hear him speaking very much about the experience. He goes into great detail in this recent interview for […]

Continue reading

Spotify Drops It’s Loudness Target So No Need For Loud Mixes Anymore

Spotify Loudness Target

Artists, producers and record labels have been obsessed over final mix volume levels for over 30 years now, as mix levels are raised to ridiculous levels where even distortion no longer matters. The problem is that we’ve known for a long time now that severely compressed low dynamic range mix levels are counterproductive and can even hurt it […]

Continue reading

3 Techniques For Recording Bass Guitar

2 mics on bass cabinet

Just like the acoustic bass (and just about all instruments), a great bass sound is dependent upon the instrument itself, the player, the amp, and the room. The player has to be able to achieve the tone you’re trying to record with his fingers first and foremost. This excerpt from the 4th edition of my […]

Continue reading

Engineer Neil Dorfsman On Miking A Drum Kit

Neil Dorfsman

This is one of the best drum miking walk-throughs I’ve ever seen. In the video below, Neil Dorfsman (Dire Straits, Sting, Paul McCartney, Def Leopard, Bruce Springsteen to name just a few credits) covers how he mikes a drum kit, and he has several unique approaches that I’ve rarely heard before. Actually I’ve heard of most of […]

Continue reading

Sylvia Massy’s Glowing Pickle Filter

Sylvia Massy Pickle Filter

Producer/engineer Sylvia Massy is fearless when it comes to trying things in the studio, especially if it involves guitars. Guitar players are usually willing subjects for experimentation since the search for the perfect sound continues seemingly forever, but how many players have ever considered a big fat dill pickle to use as a filter? Sylvia (who will […]

Continue reading

5 Easy Steps To In-Phase Drum Mics

drum mics phase

Phase is important to a great drum sound, but often overlooked. That’s why some drum recordings just don’t sound right, and no amount of processing can make them sound better. Here’s an excerpt for the 4th edition of my Mixing Engineer’s Handbook that outlines 5 easy steps to getting those drum mics in-phase. “The chances […]

Continue reading

5 Tips For More Realistic Pitch Correction

H910 pitch correction

Depending upon how much of a purist you are, pitch correction is either the worst thing to ever happen or a godsend. Regardless of how you come down on the issue, it’s at the very least a necessary evil in today’s music. Here are 5 tips from the 4th edition of my Mixing Engineer’s Handbook that […]

Continue reading

7 Simple Tips For Improving Your Drum Sound

drum sound - parallel room mics

When it comes to a live drum sound during a tracking session, sometimes the smallest details can make a big difference when you consider that there are usually multiple mics involved. Changing one thing can sometimes make a difference, but sometimes it’s the fact that many small adjustments have a cumulative effective on the overall sound. […]

Continue reading
1 2 3 4