Category Archives for "Live Sound"
If you were to place one electric guitar sound up on a pedestal as the one to copy, it would probably be the one from AC/DC’s Angus Young. “Back In Black” is still looked upon as an iconic record and sound, and guitar players, engineers and producers have been using a variety of methods to […]Continue reading
It looks like the days of the floor monitor are numbered as the live gig world quickly adapts to in-ear monitoring, something that the concert industry embraced many ears ago. Today IEMs are priced within reach of just about any gigging musician, but what really holds back many players from jumping in is the complicated […]Continue reading
The road case is essential to anyone on tour with gear that needs to be protected, so I thought this would be a good time to bring back something that I posted about few years ago. It’s an excerpt from The Touring Musician’s Handbook that provides a good look at the differences between popular road case styles. […]Continue reading
Most mixers have at least one convolution reverb in their arsenal that has a variety of concert hall impulses. Ah, but the question is, do you have the right ones? Why not have the best of the best (if you can get them). Here’s a list of the world’s 10 best concert halls (inspired by […]Continue reading
When you think about it, we’re still stuck in the last century when it comes to live sound systems, especially in clubs. In almost all cases you’ll find a speaker array on both sides of the stage, sometimes sitting on the stage and sometimes flown. The problem with that is excessive SPL levels up close […]Continue reading
One of the first things I learned to do when I was a young musician was to solder so I could build and fix my own cables and gear. The number of hours I spent in my parents basement burning my fingers while learning the art is forever seared in my brain. I rarely do […]Continue reading
Wireless mics are everywhere at a big concert or awards show, so much so, that there’s always a dedicated tech just to make sure that not only do the mics work, but their transmit and receive frequencies don’t interfere or be interfered with from outside sources. We’re talking expensive rigs here, and lots of them (as […]Continue reading