Tag Archives for " guitar pedals "
I was asked by a guitar player recently why his tone wasn’t what he wanted, and the first thing that got my attention was the maze of stomp boxes he was using. Although that wasn’t the only problem with his rig, it was a good place to start, since everything was connected more or less haphazardly. Here’s some info on guitar pedal order taken from The Ultimate Guitar Tone Handbook (written with the great player/composer/writer Rich Tozzoli), that can help you get a handle on your processors.
“There are two things that will directly affect how your effects interface with your amp; the pedal order and gain staging. Effects order means the order that each pedal appears in the the signal chain between the guitar and amplifier. There are several schools of thought on effects order, and they each have a different result.
This effects chain is the order generally recommended by most of the pedal gurus. There are several rules that make up this order:
So a typical pedal order might go something like:
compressor → distortion → wah → chorus → delay → volume pedal (see the graphic on the left)
While this might not be the quietest order, it does sound really good because any distortion, overdrive, or sustain is being affected by the effects that come behind it.
If we’re talking about recording, we may want the least amount of noise going into the amp. With that in mind, there are two rules in this scenario:
The reason for both of the above points is simple; if the noisiest pedal is first in the chain, that noise will be affected and amplified further by every other pedal in the chain that you switch on. Same with the pedal with the most gain; if it’s at the beginning of the chain, it could possibly overload any other effect that comes after it, since most pedals only want to see a typical guitar signal and nothing greater (see Figure 4). Also, any noise caused by increasing the gain on a pedal will be amplified downstream by any other pedal switched on.
Generally, you’ll try to keep the basic order as in School of Thought #1 in order to be sure that any distortion or sustain is affected by the effects placed later in the chain. That being said, this order won’t sound the same as Order #2, especially if a distortion pedal is placed last in the chain (which isn’t recommended) because of its gain, so it might not be for everyone.
If you follow the above suggestions, you’ll find that your signal chain should clean up quite a bit and your recordings should benefit greatly as a result.”
You can read more from The Ultimate Guitar Tone Handbook and my other books on the excerpt section of bobbyowsinski.com.