Tag Archives for " isolated track "
Usually less is more, and that’s what you’ll find in today’s isolated track. Greg Rollie is a great Hammond player and his performance on Journey’s big hit “Any Way You Want It” shows why. There’s feel, tone and dynamics – all the things that lifts the level a performance. Here’s what to listen for.
1. The organ is recorded in mono and it has a boatload of delayed reverb on it that’s very apparent right in the beginning of the song.
2. Greg is playing with two hands (for the most part) – one on each keyboard. You can really hear the difference in the few times that his left hand drops out.
3. The part calls for the organ to shadow the guitar until the end of the verse, then a big swell into the upper keyboard on the chorus.
4. There’s a lot of disciple in this part. It doesn’t vary much in any section, and considering that its so sparse and Rollie has some chops, it’s pretty cool that he puts that aside for the betterment of the song.
5. The chorale setting of the Leslie is used throughout. I’m surprised that he didn’t use the fast rotor setting somewhere in one of the choruses.
The last couple of minutes are same so there’s really nothing new to hear beyond about 1:30.
The original Deep Purple lineup had a very unique sound in the annals of rock, and much of that was because of Jon Lord’s organ. While most organ players want their Hammond’s to sound like the instrument they are, Lord treating his C3 more like a guitar, going as far as plugging it directly into a Marshall stack to get his unique sound. No where is that more evident than in this isolated organ track from the band’s hit “Space Truckin.'” Here’s what to listen for.
1. The organ has a very short slap echo on it. It sounds like the echo from a tape machine running at 15 ips.
2. In the verse, the organ is overdubbed and split in stereo. Lord is also playing in a higher register. Listen to how different the ambience is.
3. Listen to the space noises during the guitar solo coming from the organ (remember, this was the days before synthesizers.
4. You can hear the some leakage from the rest of the band, but it’s a beat before the organ part. This is probably due to the gap between the synch and playback heads of the tape machine.
5. There’s an ending that’s not on the record if you listen to the end. It’s nothing special though.