Tag Archives for " monitor controller "
One of the most important components of a home or desktop studio is the monitor controller, and while there are more and more such devices on the market these days, not all are a good fit for many studios. For instance, the needs of someone working with a laptop mixing on headphones are completely different from someone who’s actually recording people in the room or needs the highest quality monitor signal path possible. The new Slate Control fits into the latter category, with features usually found on a full-blown recording console but that are often needed in today’s in-the-box world.
First of all, the Slate Control head can be used as either an independent table top module, integrated directly into the RAVEN MTX Mk2 or RAVEN Z3 armrest, or even integrated into an older analog console, since it’s only 7 inches deep. If a retrofit is in your stars, Slate Control adds 7 stereo monitor path inputs but also connects to the solo buss signal and logic inputs of your existing console for seamless control.
Regardless of the environment it’s being used, the controller has a wide array of pro features, including 3 speaker selections, each with an LFE Enable switch, and speaker B and C have trim controls for matching levels with speaker A. Speaking of LFE, the LFE Output has multiple modes with a 12dB per octave low pass filter that can be set at 80 or 120Hz, or a Direct Output Mode, along with Polarity and Level Trim. A CAL Mode also allows you to preset a reference level for the speakers, disabling the main control room volume control. The speaker section of the controller also features cut, mono compatibility and left speaker polarity functions as well.
Slate Control also has multiple cue outputs and headphone outputs with some very useful talkback functions. The Talkback System has both a built-in mic and external mic input, which allows both reverse talkback for instant communication with the artist, and a feature called Selectable Auto Talkback that engages the talkback automatically when the music stops.
All inputs and outputs are balanced and diode protected against accidental phantom power (48V) connections, with DB25 connections for inputs and outputs, and DB9 connections for Aux and Talkback Aux remote functions. There’s also an on-board USB Hub for iLok and phone charging, as well as an 1/8th inch input for playback from an mobile phone. Best of all, the audio signal path was designed by famed audio developer Paul Wolf so the audio quality if top-notch.
The Slate Control isn’t inexpensive at $2,499, but neither are the other high-end controllers on the market that offer similar features and quality. Check out the dedicated page here for more information.
One almost essential accessory for any computer-based DAW is the monitor controller, and there are a lot of them to choose from these days in just about all price ranges. Most of them in the sub-$1,000 range, while quite capable, are usually without some feature or features that you wish it would have. That’s what makes the new Drawmer MC3.1 so compelling. It’s one of the few monitor controllers at that price point that has all the most wished-for features covered.
The Drawmer MC3.1 monitor controller (not to be confused with a computer interface with monitor control capabilities) first and foremost allows you to adjust the level of the control room monitors, but it also incorporates a number of features usually found in controllers costing many times more. For instance, it has 3 sets of speaker outputs plus a mono sub output that can be switched individually and simultaneously, making A/B comparisons a snap. Each output also has a level trim to provide precise channel matching.
As far as inputs, there are a total of 5 – 1 digital AES/SPDIF, 2 balanced analog inputs, a stereo RCA analog input on the rear panel, and a 3.5mm front panel AUX input with it’s own level control. The digital and balanced analog inputs utilize Neutrik XLR/1/4″ COMBI jacks. These inputs can be selected to feed two separate signal paths; one for the main speaker output, and a second for the Cue buss to either an external output or to the internal headphone amps. Speaking of which, there are actually two separate headphone amplifiers with individual level controls and input switching so the artist can listen to a different mix than the engineer. There’s also a built-in talkback circuit complete with level control, external mic input, and a footswitch control, which is a very cool and overlooked feature even on high-end controllers.
But the main function of a monitor controller is to control the level of your speakers and here the MC3.1 also has a few extra tricks as well. First of all, the level can be set either with the large variable volume control knob, or by a button that switches to a preset level, which many mixing for TV or films will love. There are also comprehensive mix checking facilities as well, including dim, mono and phase reversal switches, plus mute switches for left, right and both speakers. The MC3.1 also has the unusual feature of Band Solo, which allows the user to listen to just the low, mid or high frequency bands to hear how they’re being reproduced by the speakers. Finally, the unit has timed relay protection on all speaker outputs to prevent power up/down bangs.
The Drawmer MC3.1 monitor controller is packaged in a desktop wedge form factor in a rugged steel box with a stylish brushed aluminum cover. The retail price is $999 and you can find more details on this dedicated page from Transaudio, the U.S. importer for Drawmer.
Buying an audio interface can often be a confusing process. There are now so many choices that it often comes down to features rather than sound. Antelope Audio’s new Zen Tour interface is one that doesn’t skimp on either, providing far more features than most interfaces while providing the renowned Antelope Audio sound.
The Zen Tour starts with lots of I/O. It has eight analog ins (four guitar/line, four mic/line), 16 analog outs (two balanced monitor output pairs, eight line-outs on D-sub, two stereo headphone outs, two mono transformer-based Reamp outs), plus two ADAT and SPDIF inputs and outputs. Couple that with a touchscreen display, talkback mic and control, and a large volume/controller knob, and you have an excellent interface/monitor controller for any home studio or mobile rig.
Zen Tour also comes with a full compliment of very useful plugins, with Pultec, Neve and API EQ emulations to a wide range of guitar emulations. These include not only a variety of modeled amps, but also speaker cabinets and even the microphones that are being used on them.
Also included are apps to remotely control the unit from a Mac, Windows computer, iOS, and Android device that adjust Zen Tour’s audio routing, built-in effects, input/output metering, and just about any other parameter you can think of. Plus, you can run the app simultaneously on multiple devices/operating systems (PC, Mac, iOS, Android) and have them all control one interface at the same time!
Antelope Audio has long been known for its exceptional internal digital clocks that keeps the jitter low, which improves the clarity, depth, width and 3-dimensionality. The Zen Tour is no exception with a great clock and mastering-quality DACs capable of 129dB dynamic range. It can be connected to your computer via Thunderbolt or USB connectors, making it very easy to use with different computers without having to worry about adapters or interface boxes.
The unit is available now with a street price of $1,495. Check out this page and the video below for more info.