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Tag Archives for " Recording Engineers Handbook "

The 8 Constants Of Vocal Recording

vocal recording distance

By my count, there are 8 “constants” that we find in vocal recording. These are items or situations that almost always prove to be true. Just keeping them in mind can save you a lot of trouble in the search for a sound that works for you and your vocalist. Here are a few tips […]

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3 Techniques For Recording Bass Guitar

2 mics on bass cabinet

Just like the acoustic bass (and just about all instruments), a great bass sound is dependent upon the instrument itself, the player, the amp, and the room. The player has to be able to achieve the tone you’re trying to record with his fingers first and foremost. This excerpt from the 4th edition of my […]

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5 Easy Steps To In-Phase Drum Mics

drum mics phase

Phase is important to a great drum sound, but often overlooked. That’s why some drum recordings just don’t sound right, and no amount of processing can make them sound better. Here’s an excerpt for the 4th edition of my Mixing Engineer’s Handbook that outlines 5 easy steps to getting those drum mics in-phase. “The chances […]

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7 Simple Tips For Improving Your Drum Sound

drum sound - parallel room mics

When it comes to a live drum sound during a tracking session, sometimes the smallest details can make a big difference when you consider that there are usually multiple mics involved. Changing one thing can sometimes make a difference, but sometimes it’s the fact that many small adjustments have a cumulative effective on the overall sound. […]

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Mic Placement Tips To Help You Find The “Sweet Spot”

Finding the sweet spot

Mic placement may be the most important part of recording since a change of half-an-inch can sometimes make a huge difference in the sound. Finding that correct placement isn’t always easy though, so here’s an excerpt from my Recording Engineer’s Handbook 4th edition to give you some easy tips to find that “sweet spot” quickly. “Quickly finding […]

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The Pre-Session Recording Checklist

One of the keys to an initial basic tracking session running smoothly is the information that you receive pre-session. Here’s a recording checklist from my Recording Engineer’s Handbook 4th edition that shows the some of the info that really helps to receive in advance of the session. This will usually be provided by the producer, artist or band […]

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Easy Edits For That Distorted Guitar

Distorted guitar editing

Here’s a great distorted guitar recording tip that I got from Richard Chycki, engineer for Rush, Dream Theater, Aerosmith and many more. I liked it so much I’ve used it on every session since, and included it in the latest version of my Recording Engineer’s Handbook as well. Distorted electric guitar is notoriously difficult to edit, […]

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February 1, 2017

The 4th Edition Of Bobby Owsinski’s Recording Engineer’s Handbook Now Available

Recording Engineer's Handbook 4th edition

I’m proud to announce the fully updated fourth edition of my Recording Engineer’s Handbook, a complete compilation of the best recording techniques currently used today. Along with the rich treasure trove of information from the previous versions of the book, the latest edition also includes new sections on immersive audio recording, electric guitar recording tricks, and DIY […]

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7 Tips For Improving Your Drum Sound

7 tips for improving your drum sound

When it comes to your drum sound, sometimes the smallest details can make a big difference when you consider that there are usually multiple mics involved. Changing one thing can sometimes make a difference, but sometimes it’s the fact that many small adjustments have a cumulative effective on the overall sound. Here are 7 tips […]

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Direct Box Basics

Radial JDI direct box

Direct boxes are something that we use every day in recording, yet take for granted because of their simplicity. Here’s an excerpt from my Recording Engineer’s Handbook that looks at the ins and outs of this useful recording tool. “Direct Injection (DI or “going direct”) of a signal means that a microphone is bypassed, and […]

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Choosing the Right Microphone For The Job

Choosing the right microphone

While it’s safe to say that most engineers rely on experience when choosing which microphone to use in a given situation, these are some things to consciously consider when selecting a microphone. Here’s a list of items to think about from the latest edition of my Recording Engineer’s Handbook. There’s no one mic that works well on everything. […]

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Drum Recording Checklist

drum recording checklist

Probably the single most troublesome instrument when it comes to recording is the drum kit. Engineers obsess over the drum sound, and well they should since the drums are the heartbeat of virtually all modern music. It’s a fact that drums that sound small in the track will make the rest of the track sound […]

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Helpful Recording Accessories

Vocal EZE accessory

There are a number of recording accessories that prove to come in handy almost every day you’re in the studio. In fact, a session can absolutely ground to a halt without a few of them. Here are some suggestions for some accessories that you’ll be so happy you have when the need arises. Console tape – […]

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4 Surround Sound Miking Techniques Perfect For Virtual Reality

IRT cross surround miking

With virtual reality becoming more and more popular, surround sound is making a comeback. While most of the concentration on the audio side of things is on mixing, the fact of the matter is that there’s a lot of interesting information that can be captured during recording. Here’s an excerpt from my Recording Engineer’s Handbook […]

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