Every musician today has a their own home studio these days, and most have a similar problem because of it. While having a home studio makes recording yourself easier than it’s ever been, most self-producers find that it’s a lot easier to start a project than to finish one. Here’s an excerpt from the 2nd edition of […]
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Online music collaboration is for many the holy grail for efficiently working in a home studio. The problem is that most tools that are available suffer from latency that makes true collaboration impossible. SyncDNA is the first online platform that allows frame-accurate synchronization of collaborators anywhere in the world, and now it’s helping mixers, musicians, […]
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Back when I was actively mixing 5.1 surround projects, I could always count on getting a few projects where they couldn’t find the multitrack tapes. As a result, we’d have to resort to different ways of upmixing a stereo track to 5.1. Life would have been a lot simpler and the results much better if […]
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Your not a music professional if you haven’t been screwed out of money at least once. That’s par for the course and part of the learning process, but it obviously becomes a real problem if it continues to happen. Regardless of what end of the music business you work in, as an independent contractor it’s your […]
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On this week’s podcast episode my guest is the CEO of the Merlin Network of independent music labels, Jeremy Sirota. Merlin is a member-based organization representing the digital licensing rights for hundreds of independent labels and distributors in nearly every country around the globe. That makes up 15% of the recorded music market. Under Jeremy’s […]
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Look-ahead limiters remade the music business when they are first introduced in the late 90s. In some cases, that wasn’t a good thing, since engineers now had the ability to make their mixes louder than ever, and that’s exactly what they did. That said, when a look-ahead-style limiter is used gently, it can allow the […]
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Where you place the instrument or vocalist in the room can make a big difference in how that instrument ultimately sounds. That said, when you’re recording a group of players at the same time (especially a group that has a loud rhythm section), finding the best-sounding place in the room for each instrument is sometimes […]
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Powered by RedCircle I read a lot of music biographies and history books, especially from the Rock era. Like most people, I love reading about the story behind the hits. The best book I’ve ever read about that era is Buzz Me In: Inside The Record Plant Studios. The Record Plant was co-founded by engineer Gary […]
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Unless you’ve actually used magnetic tape for recording, you probably can’t appreciate what a factor tape noise played in the recording process. Gain staging was critical in order to keep the noise at bay, but that was soon supported by the introduction of Dolby noise reduction in 1965, which lowered magnetic tape noise by 10 […]
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In this week’s podcast episode, my guest guest today is Josh Simons, CEO of Australia’s only ASX-listed music company, Vinyl Group. Josh’s journey is as diverse as it gets. He founded Vampr, the ‘LinkedIn for creatives,’ connecting over 1.4 million music professionals worldwide. He’s also been instrumental in developing platforms like Jaxsta and Vinyl.com, tackling […]
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Over the years many mixers often went to the long out-of-production dbx 118 dynamic range expander to add a little more snap to their drum tracks using its expansion mode. While we’re all used to using compression, expansion a process frequently ignored, but is equally as useful once you get the hang of it. The […]
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Depending upon how much of a purist you are, pitch correction is either the worst thing to ever happen or a godsend. Regardless of how you come down on the issue, it’s at the very least a necessary evil in today’s music. Here are 5 tips from the 5th edition of my Mixing Engineer’s Handbook that […]
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In this week’s podcast episode, my guest is music marketing strategist, speaker, author, and the founder of Cyber PR, Ariel Hyatt. Known for her bold ideas and practical strategies, Ariel has helped thousands of independent musicians and creative entrepreneurs craft sustainable careers over the course of two decades. Ariel has always been at the forefront […]
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The other day I played some isolated tracks from The Beatles “Something” that featured the unique Abbey Road RS124 compressor, a modification of Altec’s 436C vari-mu compressor. There were only 25 of these hand-built units ever made so it’s rare to find one. However, Heritage Audio has brought a version of the unit back with […]
Continue readingI haven’t posted an isolated track in a good long while so it’s time to bring one back. This time it’s all the isolated tracks from one of The Beatles most beautiful songs “Something,” from their Abbey Road album. In it you’ll hear the isolated drums, bass, guitars, vocals and keyboards/strings (thanks to JP Isolated […]
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