Category Archives for "Software"
Amplifier modeling has reached new heights of realism, and it’s to the point where even die-hard purists with big amp collections now show up to a session or a gig with just a modeling pedal. That said, one of the big problems with amp emulators has always been how difficult it is to get acoustic […]
Continue readingSometimes synth bass tracks are a real bear to get to fit into the mix, but add a real bass to that and many mixers will be pulling their hair out before they make it work. That’s because a synth can have way more low end than a bass and it’s not always easy to […]
Continue readingWe’re starting to see more and more next generation DAW plugins where outside the box thinking results in an easier user interface which ultimates leads to new or more useful sounds. Nowhere is that more evident than with the new FabFilter Pro-R Reverb plugin which takes many of the more difficult reverb concepts and controls and presents them […]
Continue readingIf you’ve studied audio technology at all then you know that loudspeakers/headphones and microphones are both principally the same in how they operate, they just work backwards from one other. Where the diaphragm of a microphone responds to moving air molecules to turn sound into an electronic signal, the loudspeaker turns an electronic signal into moving air molecules thanks […]
Continue readingAdobe recently provided a sneak peak of a feature of the upcoming Adobe Max product that they call VoCo, which will prove to be revolution in both dialog and music vocal recording if it works as previewed. So what is VoCo? The company is calling it “Photoshop for voice.” It samples the voice of a […]
Continue readingYou might have noticed that in the last few years, the differences in level between television shows, commercials, and channels are pretty even, with no big jumps in volume. That’s because viewers were complaining for years about the fact that there was a dramatic increase in level whenever a commercial aired because it was so compressed […]
Continue readingAs I said in my post yesterday, there were fewer audio software companies at AES than one might have expected. The reason is that many software companies are boutique operations with only a few employees, so taking time away from development and spending a lot of money on a show is a critical decision. When […]
Continue readingIf you’ve been a Pro Tools user for any length of time, then you know that sometimes the upgrades don’t have a lot to show in terms of user improvements. You’ll be glad to know that in the latest version, Pro Tools 12.6, there are some features that many users may find useful. Here are a few of the […]
Continue readingIt’s rare when a modern compressor becomes a standard, but after 20 years, the Empirical Labs Distressor can be found in every major studio, as well as many smaller and home studios, and is as widely used as any of the “classics.” The Distressor has a sound that’s different from everything else, and is one of the few […]
Continue readingI really love Exponential Audio plugins because you get high performance effects that don’t require a ton of CPU power at a reasonable price. While the company’s existing plugins are very cool indeed, Exponential founder (and ex-Lexicon engineer) Michael Carnes has outdone himself this time with his new NIMBUS reverb, a true next-generation plugin. NIMBUS takes the […]
Continue readingEven back before the cassette days engineers and producers checked their mixes in their cars. Back then, some studios maintained a low power AM transmitter on site so you could run out to your car to make a quick check, but now we use all sorts of portable files to check on everything from computers to phones to even […]
Continue readingEvery now and then we see a hybrid device that perfectly captures the best of both worlds between analog and digital. Here’s a great example of such a hybrid, called the XOXX Composer, that takes some spinning wheels, magnets and some custom software to become a hybrid controller. The XOXX Composer is comprised of 8 […]
Continue readingThere are a lot of plugins that monitor a single aspect of your mix, like dynamic range, frequency response or headroom, but until now there hasn’t been one that looks at everything and more within the same plugin. That’s where Mastering The Mix LEVELS plugin comes in, a neat bit of kit that instantly tells you […]
Continue readingAnyone who doesn’t use a console has the same problem while recording. You have to manually mute the talkback or listen mic when recording starts, and you have to unmute it when recording stops. Doesn’t seem like much, but doing it dozens of times during a session can be a complete pain. The clever boffins […]
Continue readingI often get asked what plugins I regularly use, and even though I like to think that I’m pretty open minded about it, there are some that I keep coming back to. Here are my 10 go-to plugins, with a number of honorable mentions, in no particular order (even though they’re numbered). 1. Universal Audio 1176 […]
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