Category Archives for "Engineering"
The 1176 compressor has been a go-to processor for almost every engineer since its introduction in 1967. Featuring a distinctive tone and a wide range of sounds, the peak limiter has become a studio standard over the years. It can be a little tricky to set up, but there is a more-or-less foolproof way to […]
Continue readingThis is happening a lot lately. In a conversation, email, post or comment, someone say, “I received the stems for . . .” or “So I sent the stems to. . .”. If you’ve been around the studio for a while you’re surprised that the person didn’t actually mean “stems” at all, but “tracks.” So […]
Continue readingI posted this a long time ago but it’s so good that I’m going to post it again. In this video, engineer John Cuniberti uses just one stereo mic, in this case a AEA R88 stereo ribbon, to record the band San Geronimo – no overdubs, no additional mics. For those of you who don’t know, John […]
Continue readingToday there are so many different types of audio metering that we can choose that it can be overwhelming if you let yourself get caught up in it. The fact is that today’s many meter choices all descended from the standard analog VU meter, which is a lot older than you think. Here’s an excerpt […]
Continue readingDirect boxes are something that we use every day in recording, yet take for granted because of their simplicity. If you’re not familiar with what they do, then you might be tempted to purchase the cheapest one you find, but there’s a real difference in the sound between brands and models. This excerpt from my […]
Continue readingKevin Killen is a great engineer with a host of big time credits (U2, Elvis Costello and Peter Gabriel, for instance) and he’s been much in demand as a mixer for a long time. When I wrote the first edition of The Mixing Engineer’s Handbook, Kevin was one of the mixers I most wanted to […]
Continue readingThe mastering tools available today are so powerful that it’s easy to do more harm than good when self-mastering. Yes, you’re better off using an experienced mastering engineer, but for many artists, bands and songwriters, that’s just not in the budget. Here are a few self-mastering tips from the 4th edition of my Mastering Engineer’s […]
Continue readingIt’s surprising how often handclaps are used, either as an enhancement to the backbeat or as a standalone mix element. That said, getting a great clap sound can be elusive, as the huge effect that everyone expects is more difficult to achieve than you might expect. Here are 5 techniques that you can use for […]
Continue readingBruce Swedien was rightfully known as the “Godfather of Recording” because not only did he see it all from almost the beginning, he changed and adapted with the times and technology, breaking ground for the rest of us to follow. From engineering Count Basie and Duke Ellington at Universal Studios in Chicago in the 1950s, […]
Continue readingWith a who’s who list of credits such as Queen, Led Zeppelin, Deep Purple, The Rolling Stones, Black Sabbath, Electric Light Orchestra, Rory Gallagher, Sparks, Giorgio Moroder, Donna Summer, Billy Squire, and Extreme, the producer/engineer who goes simply by the name Mack has made his living making superstars sound great. Having recorded so many big […]
Continue readingMix engineers are called upon to do so much more than ever before. Individual track editing used to be done by the producer way before the mixing stage, but mixers now find that it’s part of the job they’re expected to do as part of the mix. Here are some tips for tweaking track timing […]
Continue readingIt’s happened to us all. We get a mix that’s just rocking out of our main monitors, yet when we play it on some tiny computer or phone speakers the bass instrument completely disappears. Here are some steps to take to ensure that the bass on your next mix will speak on just about any […]
Continue readingWith powerful mastering tools now available to everyone, it’s easy to do more harm than good when self-mastering. Although you’re always better off going to a true mastering engineer, sometimes that’s just not in the budget. Here are a few mastering compressor tips that can also apply to mixing from the 4th edition of my […]
Continue readingIf you don’t know about producer/engineer Ed Cherney then you really should. Ed is one of the best engineers on the planet, with credits like Eric Clapton, Bonnie Raitt, The Rolling Stones, Willie Nelson, John Mayer, and even Spinal Tap, among many others (you can see them all on his website) and he’s won 2 […]
Continue readingIt’s fair to say that most people reading my Mixing Engineer’s Handbook are mixing songs recorded with live musicians, but it’s a brave new world out there, and sooner or later you’re going to get some hip-hop in to mix. Needless to say, what works with most other genres won’t necessarily work here, especially when […]
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