In my mind Richard Gibbs’ Woodshed Recording is one of the top 5 studios in the world (see the photo on the side), and it’s not because of its idyllic setting on a mountaintop overlooking Malibu’s Zuma Beach.
No, it’s because it can be configured any way you want at the drop of a hat, with a console/workstation and outboard rack that can be repositioned anywhere in the room, movable walls so there are multiple iso rooms, or none at all, and windows and doors that open to let in the cool sea breeze yet have little affect the studio’s acoustic integrity. And that’s only the start.
The studio has a who’s who of hi-end clientele like Coldplay, U2, Lady Gaga, Barbra Streisand, Kanye West and many more, which is impossible for most studios to attract – but not Woodshed.
In Part 2 of my conversation with Richard, he talks about how the studio came about, the mistakes that were made in the process, and some studio building advice.
In the intro I’ll take a look at the MQA process that’s been widely adopted by labels and associations, but may or may not be used for high-resolution streaming, and hearing loss and prevention.