Tag Archives for " direct box "
- in Book Excerpt , Engineering , Gear , Hardware , Recording by Bobby Owsinski
What To Look For When Buying Your Next Direct Box
Direct boxes are something that we use every day in recording, yet take for granted because of their simplicity. If you’re not familiar with what they do, then you might be tempted to purchase the cheapest one you find, but there’s a real difference in the sound between brands and models. This excerpt from my […]
Continue reading- in Gear , Hardware , Microphones , Microphones , New Music Gear Monday , Recording , Software , Video by Bobby Owsinski
New Music Gear Monday: Your Heaven Audio CloseUp Miking System
Acoustic stringed instrument players have always suffered from amplification problems in a live environment. Place a microphone on the instrument and you’ll get at least some change in tonal quality and usually a lot of leakage, regardless of the quality of the microphone that you use. Resort to a pickup and the instrument no longer […]
Continue reading- in Gear , Hardware , New Music Gear Monday , Plugin by Bobby Owsinski
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New Music Gear Monday: Kush Audio REDDI Tube DI Plugin
Anyone who’s spent a lot of time recording knows that the type of DI used on a bass really matters. Use a cheap one and the bass will sound thin and dull; use one with a transformer and the bottom will be big and round, and use one with a tube and there’s a magic […]
Continue reading- in Book Excerpt , Engineering , Gear , Hardware , Recording by Bobby Owsinski
Direct Box Basics
Direct boxes are something that we use every day in recording, yet take for granted because of their simplicity. Here’s an excerpt from my Recording Engineer’s Handbook that looks at the ins and outs of this useful recording tool. “Direct Injection (DI or “going direct”) of a signal means that a microphone is bypassed, and […]
Continue reading- in Gear , Guitar , Hardware , New Music Gear Monday by Bobby Owsinski
New Music Gear Monday: Creation Labs MW1 Studio Tool Guitar DI
Recording guitars in the control room has become standard procedure during overdubs these days, but there always a hassle to it. Ground loops, amp noise during tuning, and not having the amp head close by to change the tone or input gain are minor inconveniences, to be sure, but inconveniences none the less. That’s what makes […]
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