Category Archives for "New Music Gear Monday"
Royer Labs has almost single-handedly reintroduced the ribbon microphone back into modern recording, and it’s products (especially the R-121) have become staples in most commercial studio’s mic cabinets. The only problem is that ribbon microphone manufacturing is fairly time-consuming to get it right and still maintain quality, so a Royer ribbon mic has been just […]
Continue readingThere are so many digital audio workstation choices at all different price ranges and they’re all, at worst, pretty good. So why would anyone even consider a new one? For one thing, when it’s pedigree is Fairlight, and secondly, when it’s actually an all-in-one video editor as well. That’s what you get with the new […]
Continue readingWe’re all familiar with the sound of spring reverbs, but most of the plugins available are based on units with taught springs like the ones found in Fender reverb tanks or the old AKG BX-10 and 20. There was another type of spring reverb though, known as a necklace reverb, found mostly in Hammond organs […]
Continue readingA critical and often overlooked step in mixing (especially when you’re first starting out) is listening to a great sounding reference track to compare your mixes to. That’s easier said then done though, with level matching and instant switching between your mix and the ref track usually taking long for an accurate comparison in a […]
Continue readingWe’re at the evolutionary point in audio software where it’s not enough to be just another me-too plugin. If you’re going to launch a new product, it better have a new twist that goes beyond refinement of an old standard. That’s the case with the new Fiedler Audio Stage Stereo Toolkit, a new sound stage […]
Continue readingIf delay is your thing when mixing, then you probably have a couple of multitap delays in your toolbox. It’s probably safe to say that none of them are as powerful as Eventide’s new Ultratap, which may very well be the ultimate example of the genre. What makes Ultratap so special? It goes beyond just […]
Continue readingIf you work with more than a few pieces of analog audio gear on a regular basis, you know how tedious the documentation can get. Trying to get the same sound back has been the bane of engineers for decades, and a variety of methods have been developed over that time period. Most of these […]
Continue readingUniversal Audio is one of those rare companies that excels in both hardware and software, so when it puts both together in a product, you know you have something worth a long look. If you’re a guitar player or want to offer guitar players more choices in your studio, then the company’s new Ox Amp […]
Continue readingThere are tons of guitar pedals available, and so many in the distortion/overdrive category that selecting just one to use is almost overwhelming. That said, you have to take notice when a high-end pro audio manufacturer like BAE Audio introduces one. The company’s Hot Fuzz isn’t your typical distortion pedal though, and that’s exactly what […]
Continue readingPedals, pedals everywhere. Guitar players have tons of them and are always buying more. The majority of new pedals are derivative of a few trailblazers that have come before however, and it’s hard to find something that’s truly new. It seems there was a new idea for a pedal right before our eyes all along […]
Continue readingIf you were involved in any part of the analog recording age you know that Lexicon was the king of reverbs and that one type or another of the company’s hardware products would be found in any studio. The top of the line product for the company was the 480L and it was the standard […]
Continue readingWorking with a mouse or trackball is second nature for some people, and torture for others. As a result, a number of different types of controllers have come to market recently, but most center around the fader, with other functions being secondary. The fact of the matter is that we use all those other functions […]
Continue readingAutopanners are pretty cool in that they can add motion to an element of a mix to make it more interesting. Most autopanners are pretty much a variation on the same theme however, going left to right at either a predetermined speed or dynamically induced by the program material. The new Waves Brauer Motion plugin […]
Continue readingSome microphones just don’t have enough output when you need it, causing you to crank up the preamp and the noise along with it. Cloud Microphones released a solution for this a few years ago with its Cloudlifter, and now it’s gone another step with its new Cloudlifter CL-Zi, which is finally shipping. The original […]
Continue readingOne of the byproducts of recording on tape is the fact that it added some glue to the mix that engineers have found lacking in the digital world. As a result, tape saturation plugins have become standard in many mixer’s plugin lists, and they’re getting more and more sophisticated every day. The latest tape emulator […]
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