Category Archives for "New Music Gear Monday"
Unless you’ve had many years of experience mixing, it’s pretty easy to be befuddled by a mix. Instruments or vocals that are too loud or quiet, harsh midrange, and low frequencies that are out of whack are just some of the continual problems that mixers continually battle against. The new Soundways Core Production Bundle goes […]
Continue readingWhen drum machines first came out in the 80s we loved the programmability but hated the sound limitations. It’s funny how things work, but today it’s those limitations that everyone remembers and wants to recapture. One way to do that is with Wave Alchemy’s Revolution, a virtual drum machine that emulates the authentic sound of […]
Continue readingIt doesn’t matter how large or small your studio is, you have a mix of both analog and digital gear, and if you want to be able to access everything quickly and efficiently, then you need some sort of patchbay. Designing the signal flow and wiring of a patchbay takes some thought for sure, but […]
Continue readingI’ve been using coaxial monitors as part of my regular studio setup for a long time. As far as I’m concerned, there’s something about their “single-point source” nature that sounds right to me, and it’s something that other speakers with separated drivers just can’t seem to deliver, at least to my ears. Don’t get me wrong, […]
Continue readingIf you’ve ever used the Bricasti M7 reverb, you know how spectacular it sounds, so much so that it’s spoiled many an engineer when it comes to using anything else. While there are some excellent sounding reverb plugins available, if you’re a fan of the hardware M7 then you know that they don’t quite cop the exact […]
Continue readingThere’s nothing like the ears and expertise of a mastering engineer to finish off a project, but when that’s just not in the budget, you have to do it yourself. It’s true that a ton of mastering tools are on the market, and many of them do the job very well, but none are as […]
Continue readingWhen it comes to portable recording, it’s hard to beat anything made by Sound Devices. The company has consistently made some of the highest quality recording gear that’s become a standard on any television or movie set. Now the company looks more towards musicians, podcasts and YouTubers with a penitent for quality with its new […]
Continue readingMultiband compressors are some of the most useful tools you’ll find on a mix buss or for mastering, but many engineers don’t have the patience to set them up correctly. That’s where the new Drawmer S73 Intelligent Master Processor plugin comes in. It takes much of the setup out of the engineer’s hands thanks to a number of […]
Continue readingDynamic processors are all the rage these days as well they should be. It’s a new approach to an old problem with a lot more control. Most dynamic processors are quite flexible and can be used on just about any kind of track, but the new Oeksound Soothe has a primary purpose, and that’s to […]
Continue readingIf you’ve ever played a gig in the club then you’ve had an experience where you’re given a microphone to sing into that smells bad enough to make you gag. Even if you use your own mic, it’s accumulating odors and bacteria that build up over time, so eventually you encounter “stinky mic syndrome.” I […]
Continue readingMost processor plugins these days fall into roughly the same categories (EQ, compression, effects, denoise and utilities), so when a plugin comes along that starts a new category it’s big news. The plugin I’m talking about is the the Eventide Fission, which uses what the company calls its new Structural Effects (that would be the name of […]
Continue readingSometimes style and image is a higher priority than the actual sound of a device, and if that describes your place in the music business, then you’re going to want to check out the Von Erickson Labs Skull Microphone. Von Erickson already makes jewelry based around a certain creepy zombie theme, so a microphone was an easy reach […]
Continue readingIf you grew up in the days of recording studios built around consoles and hardware, then you were probably used to using a Lexicon reverb. Although not the first digital reverb, the Lexicon 224 and subsequent versions became a must-have for every studio to have in its arsenal in no time, and we all grew to […]
Continue readingFor a generation of engineers prior to their discontinuation in 2001, Yamaha NS-10′s were a monitor fixture in every control room, no matter how big or small. They weren’t used because they sounded good, mind you, but quite the opposite – they sounded rather ordinary. That’s why it’s a bit of a mystery that the company’s new […]
Continue readingOne of the problems with most studio control rooms or small home studios is that fact that there are problems in the low end response. We try to control these with bass traps, but to be effective, normal passive traps take up a lot of precious room. There is an alternative however, and that’s to […]
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