If you grew up in the days of recording studios built around consoles and hardware, then you were probably used to using a Lexicon reverb. Although not the first digital reverb, the Lexicon 224 and subsequent versions became a must-have for every studio to have in its arsenal in no time, and we all grew to […]
Continue reading
There are few guitar players that you can truly say are influential, but Randy Rhoads is certainly one of them. His playing on Ozzy Osbourne’s initial solo album set the guitar world on fire, and for many metal players, it’s still the bar that everyone aims for. When “Crazy Train” exploded onto the radio guitar players […]
Continue reading
I know, I know. You can’t finish that mix until you get the sound of an old surveillance tower to pull it all together. But where to find one? Well you’re in luck as the impulse responses from the Teufelsberg National Security Agency tower in West Berlin are now available. Best of all – it’s a free […]
Continue reading
Mic placement may be the most important part of recording since a change of half-an-inch can sometimes make a huge difference in the sound. Finding that correct placement isn’t always easy though, so here’s an excerpt from my Recording Engineer’s Handbook 4th edition to give you some easy tips to find that “sweet spot” quickly. “Quickly finding […]
Continue reading
Today is the 3rd anniversary of my Inner Circle Podcast and I’d like to thank you for being a loyal listener. I never envisioned getting to 150 episodes, but it’s all been made possible by followers like you! Episode #151 brings back engineer Dennis Moody. Dennis was my first guest, and he’s celebrated every podcast […]
Continue reading
David Garibaldi has played with artists like Patti Austin, Natalie Cole, Larry Carlton, Mickey Hart’s Planet Drum, Boz Scaggs, and The Yellowjackets, but it’s his place as drummer for powerhouse horn band Tower of Power that most people know him for. David credits much of his success to what’s known in drumming circles as the “King […]
Continue reading
For a generation of engineers prior to their discontinuation in 2001, Yamaha NS-10′s were a monitor fixture in every control room, no matter how big or small. They weren’t used because they sounded good, mind you, but quite the opposite – they sounded rather ordinary. That’s why it’s a bit of a mystery that the company’s new […]
Continue reading
So many of you really like these Friday isolated tracks, but I’ve recently had some comments like, “Why do you keep posting old songs?” Fair enough question, and there are 3 reasons. 1. Plain and simple, the isolated tracks are much more available for older classic tracks than new ones, which are much more closely guarded […]
Continue reading
If you were to place one electric guitar sound up on a pedestal as the one to copy, it would probably be the one from AC/DC’s Angus Young. “Back In Black” is still looked upon as an iconic record and sound, and guitar players, engineers and producers have been using a variety of methods to […]
Continue readingOne of the keys to an initial basic tracking session running smoothly is the information that you receive pre-session. Here’s a recording checklist from my Recording Engineer’s Handbook 4th edition that shows the some of the info that really helps to receive in advance of the session. This will usually be provided by the producer, artist or band […]
Continue reading
In my mind Richard Gibbs’ Woodshed Recording is one of the top 5 studios in the world (see the photo on the side), and it’s not because of its idyllic setting on a mountaintop overlooking Malibu’s Zuma Beach. No, it’s because it can be configured any way you want at the drop of a hat, […]
Continue reading
Producer Butch Vig set up Smart Studios with bandmate Steve Marker in Madison, Wisconsin, and thanks to big hits from Smashing Pumpkins and Nirvana, the studio helped define the grunge sound of the ’90s. Now a documentary has been made about the studio by former studio employee Wendy Schneider. Here’s a clip of the Wendy, Butch […]
Continue reading
One of the problems with most studio control rooms or small home studios is that fact that there are problems in the low end response. We try to control these with bass traps, but to be effective, normal passive traps take up a lot of precious room. There is an alternative however, and that’s to […]
Continue reading
For years now we’ve heard The Edgar Winter Group’s “Free Ride“on classic radio, movies and commercials, and as with all hits, there’s a lot of subtle expertise that’s gone into the track. Let’s take a listen to the isolated guitars. 1. The opening guitar riffs, played by songwriter Dan Hartman, is one of the prettiest […]
Continue reading
The biggest thing that every musician and engineer lives in fear of is losing one’s hearing. To make matters worse, it happens naturally to all of us as we grow older, although its gradually enough that we can unconsciously compensate. That said, all it takes is a loud concert, or a sudden loud feedback, or cymbals in […]
Continue reading