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OK, this is pretty wild. What if you want to add some extra ambience to your acoustic guitar, but hate the idea of plugging into an amp or adding effects pedals. If that’s the case, then the Yamaha TransAcoustic guitar might be the thing for you. The Yamaha TransAcoustic guitar lets you add reverb and chorus […]
Continue readingThere’s been a lot of hits from the past that you continue to hear on the radio, but a perennial favorite is “(Don’t Fear) The Reaper” from Blue Oyster Cult. The song comes from the band’s 1976 album Agents of Fortune album, where it hit #12 on the Billboard charts and has been around ever […]
Continue readingHere’s a great piece of archival footage that shows the only film ever taken of the legendary Louis Armstrong in the studio. This was during the 1959 recording of the album Satchmo Plays King Oliver and it shows Armstrong and his All Stars recording the master take of “I Ain’t Got Nobody,” as well as silent footage […]
Continue reading“Carry On My Wayward Son” by Kansas has been burned into our minds thanks to 40 years of constant airplay, so it’s fun to listen inside the song to what’s really going on. Here’s its isolated guitar tracks, and you’ll be surprised with at least some of them. As with just about any hit, there’s […]
Continue readingEvery songs wants a signature sound and as a result, we often spend days at a time in the studio searching for just the right one to put a stamp on a recording. The one cool thing is about some of the latest electronic plugins and pedals is that it’s getting easier and easier to […]
Continue readingHow many times have you heard a cover band play Stevie Wonder’s seminal “Superstition” and think, “That doesn’t sound like the record.” One of the reasons why is because there’s more than one clavinet on the track, a fact that’s usually overlooked by the band. In fact, according to Bob Margouleff (who recorded and co-produced the […]
Continue readingThe Beatles, and John Lennon in particular, loved to double track vocals but hated the act of doing it. Not only that, back in the 4 and 8 track days, the doubled vocal would take up a track that could have been used for another element of the production. That’s why Abbey Road chief engineer, […]
Continue readingThe Who’s “Baba O’Riley” is one of the most played tracks in the entire band’s catalog, to the point were just about every fan (and non-fan’s alike) know each note and part by heart. That’s why today’s isolated track is so cool. It strips away the arpeggiated synthesizer and, in some parts, the piano, to give you […]
Continue readingVinyl is all the rage again, but most people don’t understand just how chemical and mechanical the process really is. In this very quick video, you’ll see the electroplating process that goes into making the various stages of master, mother and stampers. That’s the messy part of the business, and the one that everyone hopes […]
Continue readingWe all love great room sounds and one of the most famous rooms ever recorded was on David Bowie’s “Heroes” by Tony Visconti. Visconti set up three microphones in the hall of Berlin’s Hansa Studios; the first for Bowie to sing directly into, a second positioned about 15 feet away and the third further back in […]
Continue readingThe band Toto has some of the most acclaimed studio musicians as members, which is why it’s always a pleasure to listen inside one of their songs. Today we’ll take a listen to the isolated drums, keyboards and horns from the Grammy-winning song “Rosanna.” This one’s a real treat! Here’s what to listen for: 1. […]
Continue readingPaul McCartney is one of the most influential bass players ever, and it’s always very cool to be able to listen to his isolated bass tracks. Today we’ll take a listen to The Beatles “Drive My Car” from the Rubber Soul album. Here’s what to listen for. 1. Listen to the pickup notes at the […]
Continue readingKevin Killen is a great engineer with a host of big time credits (U2, Elvis Costello and Peter Gabriel, for instance) and he’s been much in demand as a mixer for a long time. When I wrote the first edition of The Mixing Engineer’s Handbook, Kevin was one of the mixers I most wanted to […]
Continue readingIt doesn’t matter what microphone you like to use on toms, because chances are that it’s going to pick up a lot of the cymbals as well. This is pretty typical because most of the mics that end up on toms have a cardioid pattern. The problem is that there aren’t too many true hypercardioid […]
Continue readingUsually I post an isolated track on Friday, but this is something that’s pretty close. In this video, engineer John Cuniberti uses a single stereo mic, in this case a AEA R88 stereo ribbon, to record the band San Geronimo – no overdubs, no additional mics. For those of you who don’t know, John was the guy […]
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