- in Gear , Guitars , Recording by Bobby Owsinski
Want That Back In Black Guitar Sound? This Is The Secret
I’ve posted this one 4 or 5 years ago but since I’m getting questions about the AC/DC Back In Black guitar sounds again, I thought it was appropriate to repost it again.
When we listen back to those great early AC/DC albums like Back In Black and Highway To Hell we think of what may be the epitome of hard rock guitar sounds. While on the surface you’d look at Angus Young’s fingers on a Gibson SG into a Marshall JMP 100 amp and think that was the sound (and surely it’s a big part of it), there’s actually another major component that’s almost always overlooked – his onstage wireless rig, which he actually used in the studio for those projects.
At the time Angus was using one of the first wireless guitar systems called a Shaffer-Vega Diversity System (SVDS for short), which was quite popular at the time with widespread users like Ace Frehley of KISS, Van Halen, The Stones and Frank Zappa, among others. It was the way that the SVDS worked that really set it apart from any wireless system to come afterwards though.
The SVDS used a compander circuit to keep down the noise, which meant that it compressed the signal during transmission and expanded it upon reception before feeding it into the amp. Along the way though, it also boosted some of the mid-range that became lost in the process, and unintentionally added some pleasing distortion of its own to the signal. Essentially, it acted as an overdrive for the amp!
When Angus couldn’t get the same great sound that he got on stage while recording in the studio, producer Mutt Lange suggested he revert to his on-stage setup, and the rest is AC/DC history.
Sadly, Shaffer-Vega stopped making the units in 1982 after the FCC changed the wireless regulations, making the frequencies it used illegal. That said, the device has been resurrected by a company called SoloDallas using one of Schaffer’s original units as a model to create the “Schaffer Replica.” The unit uses only the audio circuitry from the original SVDS, but it’s just what you want for that original AC/DC sound.
Another interesting twist to the story is that SDVS creator Ken Shaffer was indirectly responsible for being named in a big R.E.M. hit, being the subject of “What’s The Frequency, Kenneth?” which revolves around a mugging of news anchor Dan Rather. I know, the story’s hard to follow, but there’s a great article that covers it nicely on Dangerous Minds that’s worth reading.
R.E.M. aside, if you really want that original Back In Black guitar sound, there’s probably an extra piece that belongs in your signal chain.