Category Archives for "Book Excerpt"
Let’s face it, recording budgets are tight these days and we can’t always send our final mixes to a true mastering engineer. With so many of the same tools that mastering engineers use now available to every mixer, it’s now possible to do a pretty good self-mastering job. If that’s your situation, it’s best to […]
Continue readingIf you’re a producer, engineer or musician, chances are that you’ve been asked to work on someone’s recording. That’s all well and good, but how do you get compensated for your efforts? This excerpt from the just released 2nd edition of my Music Producer’s Handbook gives you 5 ways that you can get paid for […]
Continue readingBefore the first session begins, a host of decisions have to be made that range from the mundane to the important. Here’s an overview of the many production considerations a producer is confronted with in a typical project before a tracking session begins. This is an excerpt from the latest edition of my Music Producer’s […]
Continue readingOne of the best ways to make all the elements fit in a mix is by frequency juggling. That’s where you make sure that no two instruments are boosted at the same frequency so they never fight for attention in the mix. Here are 3 steps from the 3rd edition of my Mixing Engineer’s Handbook […]
Continue readingThere’s always so much going on during a tracking session (especially one with a lot of players involved) that it’s pretty easy to get overwhelmed with the details and demands and overlook some of the things that can really help the session along. Here’s a Basic Tracks Checklist from my latest Music Producer’s Handbook 2nd edition book that […]
Continue readingIt happens to all of us. We’re trying to recording a sound source and for some reason it’s just not happening. What to do? It’s easy to just try a bunch of random things but sometimes that makes you more confused than ever. That’s when to try this following recording checklist when all else fails. […]
Continue readingWhen signal processing is timed to the pulse of the track, everything in the mix sounds a lot smoother. This applies to compressors, delays, modulators, and especially reverb. One of the questions I get a lot is, “How do you time your reverb to the track?” There’s a step by step tutorial in my Audio Mixing […]
Continue readingOne of the things about having your own studio is that you can do a project at your own pace. The problem there is that some artists never know when to declare a production finished and they end up with “the project that never ends,” literally spending years on it. Here’s an excerpt from the upcoming […]
Continue readingWhenever an engineer has trouble dialing in the EQ on a track, chances are its because of one or more of the 6 often-overlooked trouble frequencies. These are areas where too much or too little can cause your track to either stick out like a sore thumb, or disappear into the mix completely. Let’s take […]
Continue readingI’ve received a lot of questions lately about my opinion on some very inexpensive vintage microphone clones. I love finding a great cheap mic as much as the next guy, but there are some things to watch out for before buying. I thought it might be helpful to repost the following from 3 or 4 […]
Continue readingMany times the ear candy of an overdub session can really make or break a song, but sometimes it’s not easy to create to capture that magic. Here’s an excerpt from the upcoming second edition of my Music Producer’s Handbook that can act as either an outline or as a reminder to check a number […]
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