Category Archives for "Book Excerpt"
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Mixing Nashville In The Box With Influential Engineer Ed Seay
Getting his start in Atlanta in the 70s engineering and producing hits for Paul Davis, Peabo Bryson, and Melissa Manchester, Ed Seay has become one of the most respected and influential engineers in Nashville since moving there in 1984. With hit-making clients such as Blake Shelton, Lee Brice, Martina McBride, Ricky Skaggs, Dolly Parton, Pam […]
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4 Band Rehearsal Tips That Will Make You Better
Rehearsals are the life-blood of a band. Whether you’re neophyte players in the garage or a bunch of A-listers in the studio reading down a chart, you want to get the song down so it sounds great as quickly as possible. Here are 4 band rehearsal tips from my How To Make Your Band Sound Great book […]
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Drum Tuning Techniques Every Engineer Should Know
There’s no doubt that getting a drum sound is the number one priority for any recording that has a drummer. Sometimes you luck out and the drums sound great by just putting the mics in front of them, but other times they require more care in order to make them sound the way you want. […]
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A Look At The 5 Song Arrangement Elements
One of the major jobs of both a producer and a mixer is to arrange the song if needed (and it usually is). Anyone that’s been working in a studio for a while learns that there are 5 kinds of arrangement elements that make up a song. You can have fewer than 5 happening simultaneously […]
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3 Techniques For Miking An Audience
If you’re recording a live performance, then you want to pick up some of the audience to make it sound realistic. Here are some techniques and considerations culled from the latest edition of my Recording Engineer’s Handbook. “Audience recording is both the key and the problem with live recording. It’s sometimes difficult to record the audience […]
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The Correct Understanding Of Gigging Language
It’s time for something different. Here’s an excerpt from How To Make Your Band Sound Great that talks about how understanding some basic gigging language can be the secret to getting your band booked. This is a repost from about 3 years ago from my old blog, but I’m sure many of you haven’t seen it yet. […]
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How A Vinyl Record Is Pressed
There’s so much attention given to vinyl these days that I though it might be a good idea to cover exactly what goes into actually pressing a record. It’s actually a primitive process by today’s standards, and it’s pretty amazing that they sound as good as they do. Here’s an excerpt from the 4rth edition […]
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The Legendary Ken Scott Talks Mixing
Legendary producer Ken Scott began his career at the Abbey Road Studios working with The Beatles on The White Album and Magical Mystery Tour; on six David Bowie albums, including the seminal Ziggy Stardust album; and with Pink Floyd, Elton John, Duran Duran, Jeff Beck, Supertramp, Procol Harum, Devo, Kansas, Mahavishnu Orchestra, and many more. […]
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8 Things To Check Before You Push The Record Button
“Everything set up? Cool, let’s record. Oh, wait, it doesn’t sound like I think it should.” At this point you can continue to record and deal with the consequences later, or stop and troubleshoot, but you might be chasing your tail and it could take longer than you want to get to where you want […]
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Good Things Can Happen With Alternate Tunings
I’ve been producing a project where the guitar player has been using a lot of alternate tunings in order to get the overdubbed layers to sound different, so I thought it was time revisit the subject again in a post. Sometimes changing the tuning of a guitar from standard to some alternate tuning can create […]
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6 Tips To A Better Click Track
Many musicians, producers and engineers fight with the click track for various reasons, but most of the time it’s because the player just can’t hear it in a way that’s conducive to playing in the pocket. Here are 6 tips from the 2nd edition of my Music Producer’s Handbook (previously posted on my Big Picture blog) about […]
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16 Ways Playing In The Studio Is Different From Playing Live
I’ve been getting a lot of emails lately asking how one goes about becoming a studio musician, so I thought that this excerpt from my Studio Musician’s Handbook (written with ace bass player and good buddy Paul ILL) might be appropriate. It’s about the 16 ways playing in the studio is different than playing live. […]
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An Interview With Andrew Scheps
Andrew Scheps has worked on mega-hit albums for a who’s-who of superstar artists such as Red Hot Chili Peppers, Metallica, U2, Justin Timberlake, Jay-Z, the Rolling Stones, Linkin Park, Jewel, Neil Diamond, and Adele. We had an excellent chat that was included in the latest edition of my Mixing Engineer’s Handbook, and here’s part of […]
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6 Editing Tips For Solid Natural Tracks
Mix engineers are called on to do so much more than ever before. Tweaking the track timing used to be done way before the mixing stage, but mixers now find it’s part of the job they’re expected to do. Here are some tips for tweaking track timing in you DAW from the Advanced chapter in […]
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10 Electric Guitar Recording Tips You Probably Haven’t Thought About
There’s so much more to getting a great electric guitar sound than just placing a mic in front of an amplifier speaker. Here are 10 tips from The Recording Engineer’s Handbook 4th edition that you might have never considered, but can go a lot way in helping you capture that ultimate guitar recording. 1. An […]
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