Category Archives for "Microphones"
You’d think that all the engineer and producer greats would use the same vintage microphones that have become just as famous as they are, but that’s not the case. U47’s, C-12’s, U67’s – they all have a place in the hall of fame for good reason. That said, it’s interesting that some of the greats […]
Continue readingI bet you were never aware that Neumann microphones have different color badges, and if you were, you probably thought they were for decoration. Think again, because there’s a specific reason behind the Neumann badge colors. Knowing them will allow you to identify the type of microphone it is. Neumann mic badges come in 5 […]
Continue readingOn my latest podcast episode: Mic developer Eric Heiserman of Heiserman Audio, perhaps the closest to a vintage mic sound you’ll ever get. The end of music genres may be near in favor of some more practical for today’s consumers. The latest Bluetooth LE standard – finally CD quality 44.1Hz/16 bit wireless audio. Listen to […]
Continue readingWhen it comes to recording, the variety of microphones at your disposal is vital to capturing the sound as you hear it. It’s all about mixing and matching the mic to the source, and you can’t do that with just one really good mic. Fortunately, it doesn’t take a fortune to create the variety you […]
Continue readingMy buddy Otis Thick reminded me of a post that I wrote a couple of years ago that I thought I’d revisit with an updated spin. It’s based on an excellent article on the Sweetwater blog about 10 music products that haven’t changed in a long time, and it got me to thinking about the […]
Continue readingThere are certain microphones that stand iconic in the pantheon of great gear. Some are so good that even competitors try to emulate them. One of those is the AKG C12, which has been a favorite of engineers everywhere for decades. Telefunken makes some wonderful microphones itself, with a long history of excellent originals and […]
Continue readingA question that I’ve been getting over and over through the years from engineers who are just starting out is, “How can I get more isolation between my tracks?” Now that’s normally not much of a problem for older engineers who’ve learned to make leakage work for them, but today’s modern recording requires another order […]
Continue readingAnyone who’s ever used a ribbon mic is aware of a surprising limitation – the output is low. Likewise for good sounding dynamic mics like the Shure SM7B or RE-20, and even the SM57. This isn’t a problem when the program material has a moderately high SPL level, but if that’s not the case you […]
Continue readingGrammy-winning engineer Sylvia Massy is on a quest to write the ultimate book on microphones, and it’s taken her all around the world to find both historical artifacts on microphone design and the designers themselves. One stop was to the famed Abbey Road Studios for a look at their totally unique collection of mics. In […]
Continue readingIf you’re like me, you’re probably thinking that the last thing the audio world needs is another vintage mic clone. There are already so many good ones available at some great prices. That said, Warm Audio has a way with vintage gear copies that seems to capture the essence of the product that many boutique […]
Continue readingThe subkick microphone phenomenon has been with us for a while now and it seems like you won’t find a tracking session without one anymore. It all started due to the burning desire to get more bottom end from the kick drum without having to crank up the low-end EQ. That being said, the trend is […]
Continue readingMost engineers love ribbon microphones for their natural sound and the ability to take EQ. Many wouldn’t use anything else in many recording situations like miking brass, percussion or electric guitar amps. Since modern ribbon mics are no longer as fragile as they once were, they’ve found their way into even more applications than ever, […]
Continue readingModeling technology has become pervasive in the audio world and has reached the point where it sounds so good that hardly anyone even blinks an eye anymore at a product that contains it. One of the last bastions for modeling has been microphones though, since that always seemed like hallowed ground by the pros. Those […]
Continue readingAcoustic stringed instrument players have always suffered from amplification problems in a live environment. Place a microphone on the instrument and you’ll get at least some change in tonal quality and usually a lot of leakage, regardless of the quality of the microphone that you use. Resort to a pickup and the instrument no longer […]
Continue readingEven if you never intend to record an ensemble larger than a standard rock, pop, or jazz rhythm section, a good grasp on the many techniques for stereo recording is essential and will come in handy sooner or later. One basic stereo technique is the spaced-pair, which is two identical mics placed several feet apart and […]
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