Category Archives for "New Music Gear Monday"
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New Music Gear Monday: Leapwing DynOne Multiband Dynamics Plugin
Multiband compressors are a powerful tool in any mixing or mastering toolbox, but they’re usually a little finicky to set up. As a result, many engineers don’t want to spend the time it takes to tweak them properly. Anything that makes that process easier is welcome, and that’s one reason why the new Leapwing DynOne […]
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New Music Gear Monday: Brainworx bx_masterdesk Mastering Plugin
In a perfect world, we’d all like our projects mastered by one of the A-list mastering houses, but budgets being what they are, that’s not always possible. If that’s the case, self-mastering is the only alternative. That said, tere are a lot of mastering tools on the market these days and most of them are […]
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New Music Gear Monday: Zoom F8n 8 Track Field Recorder
Some of you do sound design in addition to music and have to capture sounds in the field. Others want a good way to capture a multitrack of your band playing live or in rehearsal without the hassle of setting up a computer. That means some sort of dedicated field recorder, and while there are […]
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New Music Gear Monday: Boz Digital Labs ProVocative Micro-Pitch Shifter Plugin
One of the coolest tricks I learned as a young mixing pup was micro-pitch shifting. This technique to thicken up a vocal required 2 Harmonizers, with one tuned up by 5 to 8 cents and the other tuned down by the same amount. As you mixed the effect in, you could thicken up any vocal […]
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New Music Gear Monday: Audified MixChecker Pro Mix Assistant Plugin
For years every mixer had their own go-to way to check a mix to make sure it would translate well to the outside world. For many it was the Auratone or NS-10, others referred to the handy boom box, some to computer speakers, and most everyone ended up evaluating their mix in the car at […]
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New Music Gear Monday: Updated PreSonus FaderPort Production Controller
There once was a time when an engineer didn’t feel comfortable unless there were faders in front of him or her. Those days have largely passed since now even hardened “classic” engineers are okay with a wide range of controllers. Still, there are those times when having even one fader can be useful, and the […]
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New Music Gear Monday: Flock Audio PATCH Digital Patchbay
One of the things that most of us hate about the studio is having to connect gear via a patchbay. It’s a necessary evil that’s been with us since the phone company started about a hundred years ago, but it’s prone to corroded connections, intermittent patch cords, and general time-consuming setup on a large session. […]
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New Music Gear Monday: Avantone Pro CLA-10 Nearfield Monitor
For about 20 years the Yamaha NS-10 was the standard monitor found in almost any studio. An untold number of hits were recorded on the speakers during that time, so it came as a major shock when Yamaha discontinued the model in 2001 as the wood pulp used in making the drivers became more difficult […]
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New Music Gear Monday: Tonestrum TRAVELER Doppler Effect Plugin
Anyone that’s ever tried to manually create a Doppler effect simulation will know that it’s way easier said than done. It seems like a little panning, automated EQ, pitch change and ambience and you’ll have it, but it’s way more complicated than that. That’s why the new Tonstrum TRAVELER plugin is so cool. It precisely models […]
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New Music Gear Monday: Slate Digital VMS ML-2 Modeling Microphone
Modeling technology has become pervasive in the audio world and has reached the point where it sounds so good that hardly anyone even blinks an eye anymore at a product that contains it. One of the last bastions for modeling has been microphones though, since that always seemed like hallowed ground by the pros. Those […]
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New Music Gear Monday: Your Heaven Audio CloseUp Miking System
Acoustic stringed instrument players have always suffered from amplification problems in a live environment. Place a microphone on the instrument and you’ll get at least some change in tonal quality and usually a lot of leakage, regardless of the quality of the microphone that you use. Resort to a pickup and the instrument no longer […]
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New Music Gear Monday: Kush Audio REDDI Tube DI Plugin
Anyone who’s spent a lot of time recording knows that the type of DI used on a bass really matters. Use a cheap one and the bass will sound thin and dull; use one with a transformer and the bottom will be big and round, and use one with a tube and there’s a magic […]
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New Music Gear Monday: Klevgrand Brusfri Noise Reducer Plugin
We’ve all had those situations where we’ve had to record a noisy electric guitar or keyboard, or just found the background noise on a track too much to handle. Sure, sometimes the noise gets covered in the mix, but it’s also cumulative, so 4 or 5 noisy tracks can really muddy up a mix. There […]
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New Music Gear Monday: Roadie Automatic Guitar Tuner
Whether you’re a guitar or bass player or someone that records them, the one thing that you must deal with almost on a minute by minute basis is tuning. With the proliferation of inexpensive clip-on tuners like the Snark, tuning is less of a problem than ever, but there’s still the manual factor involved where […]
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New Music Gear Monday: TC Electronic Aeon Guitar String Sustainer
Since the mid-1970’s, if you wanted an electric guitar string to sustain forever you turned to an Ebow, the ingenious handheld device that virtually every major artist has used on a recording at some point (case in point, the Grateful Dead’s Jerry Garcia bought the very first one). If you wanted that sound, the Ebow […]
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