It doesn’t matter what microphone you like to use on toms, because chances are that it’s going to pick up a lot of the cymbals as well. This is pretty typical because most of the mics that end up on toms have a cardioid pattern. The problem is that there aren’t too many true hypercardioid mics available to limit that cymbal bleed, especially in a package that fits conveniently out of the way of both drummer and cymbals. That was before the recent introduction of the Audio Technica’s ATM230 purpose-built tom mic though.
The new ATM230 is that elusive hypercardioid mic built into a small package, with a response that’s tailored to capture both the stick sound and body of all rack and floor toms. What’s even better is the fact that it comes with an integral isolated tom mount, so you don’t need an expensive 3rd party mount or mic stand.
It’s a dynamic mic so it’s inherently rugged, and is made of metal so it can stand up to stick hits (I hate it when my expensive condenser mics take a hit), and it’s reasonably priced to boot.