Category Archives for "Book Excerpt"
- in Book Excerpt , Gear , Production , Recording by Bobby Owsinski
Helpful Recording Accessories
There are a number of recording accessories that prove to come in handy almost every day you’re in the studio. In fact, a session can absolutely ground to a halt without a few of them. Here are some suggestions for some accessories that you’ll be so happy you have when the need arises. Console tape – […]
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The Most Crucial Part Of Preproduction
If you’re working with an artist or band, a critical time in the entire recording process is before you actually record, which is known as preproduction. Many producers think of preproduction as working out parts with the artist or band in a rehearsal room, but there’s actually another part of preproduction that can be even more crucial […]
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The Producer/Engineer/Musician Checklist For Getting Paid
Your not a music professional if you haven’t been screwed out of money at least once. That’s par for the course and part of the learning process, but it obviously becomes a real problem if it continues to happen. Regardless of what end of the music business you work in, as an independent contractor it’s your […]
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Resolving A Conflict In The Studio
It’s inevitable that it’s going to happen during some point in the project. There’s going to be a strong disagreement between two of the parties involved, and the producer is going to have to diplomatically sort it out. Even worse, the conflict can come between the artist and the producer, which requires a deft hand […]
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Measuring Sound Isolation
One of the things that many musicians and engineers don’t realize is that there’s a way to actually measure sound isolation, and this excerpt from my Studio Builder’s Handbook (co-written with Dennis Moody) shows a real world comparison between different materials and isolation levels. “Before we get into how sound isolation is accomplished, we need […]
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The Costs Of Hiring A Mixer
An ever-important aspect of production is mixing, which can make or break a song. A brilliant mix can put an otherwise average production over the top, while a mediocre mix can bring down a brilliant production (although sometimes the song itself is so brilliant that nothing can detract from it). If you’re not an engineer yourself, […]
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7 Traits Of A Great Assistant Engineer
You may never work in a studio that has an assistant engineer, and if you own your own gear, you may never be one yourself, but it’s good to find out what an assistant in a major facility like the Record Plant, Capitol, Oceanway or Avatar really needs to know. These 7 tips are excerpted from […]
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Mixing An Orchestra With Don Hahn
Although there’s a lot of pretty good engineers around these days, not many have the ability to record a 45 to 100 piece orchestra with the ease of someone who’s done it a thousand times. Don Hahn can and that’s because he actually has done it a thousand times. With an unbelievable list of credits […]
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7 Self-Mastering Tips For When You Can’t Hire A Mastering Engineer
Let’s face it, recording budgets are tight these days and we can’t always send our final mixes to a true mastering engineer. With so many of the same tools that mastering engineers use now available to every mixer, it’s now possible to do a pretty good self-mastering job. If that’s your situation, it’s best to […]
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5 Ways To Get Paid For Your Production Work
If you’re a producer, engineer or musician, chances are that you’ve been asked to work on someone’s recording. That’s all well and good, but how do you get compensated for your efforts? This excerpt from the just released 2nd edition of my Music Producer’s Handbook gives you 5 ways that you can get paid for […]
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5 Steps To Prepare For Your Tracking Session
Before the first session begins, a host of decisions have to be made that range from the mundane to the important. Here’s an overview of the many production considerations a producer is confronted with in a typical project before a tracking session begins. This is an excerpt from the latest edition of my Music Producer’s […]
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EQing By Frequency Juggling
One of the best ways to make all the elements fit in a mix is by frequency juggling. That’s where you make sure that no two instruments are boosted at the same frequency so they never fight for attention in the mix. Here are 3 steps from the 3rd edition of my Mixing Engineer’s Handbook […]
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The Producer’s Basic Tracks Checklist
There’s always so much going on during a tracking session (especially one with a lot of players involved) that it’s pretty easy to get overwhelmed with the details and demands and overlook some of the things that can really help the session along. Here’s a Basic Tracks Checklist from my latest Music Producer’s Handbook 2nd edition book that […]
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The “When All Else Fails” Recording Checklist
It happens to all of us. We’re trying to recording a sound source and for some reason it’s just not happening. What to do? It’s easy to just try a bunch of random things but sometimes that makes you more confused than ever. That’s when to try this following recording checklist when all else fails. […]
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How To Time Your Reverb Decay To The Track
When signal processing is timed to the pulse of the track, everything in the mix sounds a lot smoother. This applies to compressors, delays, modulators, and especially reverb. One of the questions I get a lot is, “How do you time your reverb to the track?” There’s a step by step tutorial in my Audio Mixing […]
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