Category Archives for "Plugin"
New Music Gear Monday: Audified Klangfilm RZ062 EQ Plugin
There’s nothing like an old vintage equalizer. New digital plugins are surgical and can do things that no analog unit can duplicate, but you just can’t beat the sweetness of those old analog pieces. It seems like the older they are and the fewer features they have, the more we seem to like them as […]
Continue reading- in New Music Gear Monday , Plugin by Bobby Owsinski
- |
- 2 comments
New Music Gear Monday: AudioThing Wires Wire Recorder Plugin
Magnetic recording has been around for a lot longer than you think. Before tape, recording was done on thin magnetic steel wires, an idea that goes back as far as 1898. The technology really came into its own during WWII when the military used it extensively, and its use peaked between 1946 and 1954, after […]
Continue reading- in Gear , Hardware , New Music Gear Monday , Plugin by Bobby Owsinski
New Music Gear Monday: RJ Studios MB3X Multi-Band Mastering Compressor Plugin
Multi-band compressors are falling into disuse these days thanks to the rise of dynamic EQs, but there’s always room for a combination processor with a new approach. The RJ Studios MB3X mastering compressor plugin is a combination of a multi-band compressor combined with simple EQ and a peak limiter in one package that could be […]
Continue readingNew Music Gear Monday: Leapwing RootOne Subharmonics Plugin
Subharmonic generators have been around for years, going way back to the original hardware – the dbx 120A. The problem with this and many plugins that followed is that they generated a sub signal that was out-of-phase so that it sometimes felt detached from the original signal. Modern subharmonic plugins are much better at this, […]
Continue readingNew Music Gear Monday: Wavesfactory Echo Cat Tape Echo Plugin
There’s nothing like a good delay on most instruments and it’s even better when it sounds like old-fashioned tape. The very first portable echo delay unit was created in 1958 by Charlie Watkins and called the Copicat delay, and as you’d expect, it was an instant hit. Featured in countless albums from the 60s and 70s […]
Continue readingNew Music Gear Monday: iZotope Neoverb AI-Powered Reverb
One of the things I’m most frequently asked is how to get reverb to blend into the mix. One of the problems that beginning mixers have is that there’s usually either too much reverb or not enough. What mixers have done forever to alleviate this is to tailor the reverb to the track with their […]
Continue reading- in Gear , New Music Gear Monday , Plugin , Software by Bobby Owsinski
New Music Gear Monday: A.O.M. Nu Compressor – 52 Compressors In One Plugin
We all have a lot of plugins, usually far more than we can use, so when a new one comes out it has to be especially interesting to get our attention. What if there was one compressor plugin that literally gave you everything you ever could need? Interesting enough for ya? A.O.M’s Nu Compressor might […]
Continue reading- in New Music Gear Monday , Plugin , Production by Bobby Owsinski
New Music Gear Monday: Non-Lethal Applications Snapshot 2
Do you use outboard gear when you mix? If so, you probably have a way to document the gear settings so you can repeat them if a mix revision is needed. But what happens if you can’t find the documentation? Snapshot 2 from Non-Lethal Applications is a way that you can attach your documentation to […]
Continue readingNew Music Gear Monday: PSP InfiniStrip FIRE Plugin
If you like to use a lot of plugins, there will come a time when you’re going to run out of processing power. That means you’ll either have to disable a few plugins or try to squeeze in some native processors that you might not like but don’t take up much computer power to get […]
Continue readingNew Music Gear Monday: UnitedPlugins Front DAW Plugin
Did you ever feeling that the signal coming into your DAW was too clean? Have you struggled to add that little bit of analog mojo to make it more realistic? If you can relate, then United Plugins has a plugin that you should check out and it’s called Front DAW. Front DAW is an input […]
Continue reading- in New Music Gear Monday , Plugin by Bobby Owsinski
- |
- 1 comments
New Music Gear Monday: Korneff Talkback Limiter Plugin
I remember being in the studio in the mid-80s and being very influenced by a then-#1 hit by Power Station called “Some Like It Hot.” The drum sound was huge and ambient and I was working my hardest to duplicate it to no available. As the drummer was in the studio playing, someone hit the […]
Continue reading- in Gear , New Music Gear Monday , Plugin , Software by Bobby Owsinski
New Music Gear Monday: Audified ToneSpot Bass Pro Plugin
The bass synth or guitar element of a mix can sometimes be the hardest to fit for engineers to work with. A weak sound here will cause the mix to be weak, something that every mixer is afraid of. While there are plenty of tools to process the bass, there may not be one that’s […]
Continue reading- in Gear , New Music Gear Monday , Plugin , Software by Bobby Owsinski
New Music Gear Monday: AcoustiTools Live Sound AR Analysis App
Live sound engineers have struggled with the variance in venues ever since the beginning of the discipline. Whether a sports arena, a roadhouse stage, or a house of worship, every space presents its own unique challenges when it comes to sound engineering and speaker placement. And while there are some great analysis tools available, none have […]
Continue reading- in Gear , New Music Gear Monday , Plugin , Software by Bobby Owsinski
New Music Gear Monday: McDSP EC-300 Echo Collection Plugin
I know many hitmaker mixers who refrain from using reverb on a mix, preferring delay instead to provide all the ambience they need for the track. As a result, they’re always using a wide variety of delay plugins to achieve different effects. That all may be possible now with just a single plugin – the […]
Continue reading- in Gear , New Music Gear Monday , Plugin , Software by Bobby Owsinski
New Music Gear Monday: Softube Harmonics Saturation Processor Plugin
I must admit I’m an old school engineer in that I was brought up trying to avoid distortion at all costs, but that’s not the world we live in today. It’s now pretty common to add texture to a sound by adding distortion and saturation, something that I’ve generally stayed away from in the past. […]
Continue reading