Category Archives for "Plugin"
Vocal tuning can be a touchy subject. Many think that it’s putting a big band-aid on a problem while others feel that it’s just a normal by-product of today’s music production. But tuning a vocal in the studio is something completely different from doing it live on stage, where many see that as cheating of the highest order. […]Continue reading
Even back before the cassette days engineers and producers checked their mixes in their cars. Back then, some studios maintained a low power AM transmitter on site so you could run out to your car to make a quick check, but now we use all sorts of portable files to check on everything from computers to phones to even […]Continue reading
There are a lot of plugins that monitor a single aspect of your mix, like dynamic range, frequency response or headroom, but until now there hasn’t been one that looks at everything and more within the same plugin. That’s where Mastering The Mix LEVELS plugin comes in, a neat bit of kit that instantly tells you […]Continue reading
Anyone who doesn’t use a console has the same problem while recording. You have to manually mute the talkback or listen mic when recording starts, and you have to unmute it when recording stops. Doesn’t seem like much, but doing it dozens of times during a session can be a complete pain. The clever boffins […]Continue reading
Let’s face it, when it comes to a new piece of gear or plugin we’re often enamored because it’s brand new, or because of the name on it, or what we’ve read about it. How often do we do real blind testing? The answer is probably “Not much” since blind testing is pretty hard to […]Continue reading
Those tiny Eurorack synth modules have been growing in popularity, going from a simple 10×20 foot booth down in the no-mans-land basement at NAMM to a huge pavilion on the main floor. While everyone loves hardware, for many of us its just impractical in our musical creation so the new Softube Modular Eurorack emulation plugin addresses […]Continue reading
We all love great room sounds and one of the most famous rooms ever recorded was on David Bowie’s “Heroes” by Tony Visconti. Visconti set up three microphones in the hall of Berlin’s Hansa Studios; the first for Bowie to sing directly into, a second positioned about 15 feet away and the third further back in […]Continue reading