Category Archives for "Production"
There are a number of different types of compressors that every engineer is familiar with, but there’s not a lot of information available about the differences between them and what they’re good at. Most compressor plugins today are based on the four different electronic building blocks that could be used to build a compressor back […]
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While we all love the convenience of a DAW, when it comes down to it, most engineers would rather sit behind a console. There’s something about the tactile nature of real knobs and faders that draws people to it. If you can’t afford a console, the next best thing is a controller and one of […]
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If you’re recording a live performance, then you want to pick up some of the audience to make it sound realistic. Here are some techniques and considerations culled from the latest edition of my Recording Engineer’s Handbook. “Audience recording is both the key and the problem with live recording. It’s sometimes difficult to record the audience […]
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Mixers of all genres of music pay extra attention to the low-end of the mix. That’s because sometimes there’s too much, sometimes not enough, sometimes the level is right but it blends too much in the mix, and host of other reasons why a mixer’s focus is extra critical in that area. There are plenty […]
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Here’s something that I posted a few years ago that I think needs repeating. There are a number of questions that I consistently get from emails, blog comments, Facebook, Instagram, Twitter, YouTube – you name it. The same themes keep occurring so I want you to understand a few parameters so I can help you […]
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When it comes to studio gear we tend to obsess over the bigger purchases but take the smaller ones for granted. Yet, sometimes its these smaller purchases that we use every day, and if we choose poorly, we suffer accordingly. Mic stands and mic stand hardware fall into this category, and I bet everyone who’s […]
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Most audio professionals just got over the panic and resignation of changing out cables again after Thunderbolt 4’s inclusion on a host of newer computers and peripherals. We all ran out and bought expensive adapters and cables in the hopes that things would settle down on that front, and they did for a few years. […]
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If you were to ask mixers what they spend the most time on, most would tell you it’s EQing to gain clarity for each mix element. The round-robin nature of going back and forth between groups of similar sounding elements takes a lot of time, at least when you’re setting the EQs manually. Thanks to […]
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You may have been here before. You’re working on a song but it just isn’t coming together. If you’re experienced you probably know exactly what to do, but even after a couple of steps you might hit a dead end. This excerpt from my Music Producer’s Handbook provides 10 questions to ask in order to troubleshoot a […]
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There was a point in audio history where the only way to get cheap reverb was by using a spring-based unit. But while spring reverbs have their own sound, they also have drawbacks, like being susceptible to handling noise. In the age of plugins we don’t have to worry about that anymore, so spring reverb […]
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Way back in the early days of studio audio, effects boxes or plugins were nowhere to be found, and weren’t even a dream yet. About the only thing you had back then was an echo chamber (if you were lucky) or your trusty tape deck. It didn’t take long for clever engineers to understand that […]
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One of the hardest things for many mixers to determine is when a mix is finished. In fact, engineers new to mixing may think a mix is ready in an hour, but a pro will usually take considerably longer in most cases. How much longer? Well, some big hit maker mixers that I know may spend up […]
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On my latest podcast episode: Listen to it at BobbyOInnerCircle.com, or on Apple Podcasts, Amazon Music, Stitcher, Mixcloud, Google Podcasts, Spotify, Deezer, TunIn Radio, and RadioPublic. Enjoy the show!
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Reverb is one of those things that when you finally get a setting that works, you keep going back to it time and again. If you played with any of the modern reverb plugins you know they can be sophisticated, and it can take more time than ever to dial in something you like. But […]
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I don’t know about you but I’ve always found that it’s really difficult to do precise edits on a distorted electric guitar track. Here’s a great guitar recording tip that I got from Richard Chycki, engineer for Rush, Dream Theater, Aerosmith and many more that easily solves the problem. I liked it so much I’ve used […]
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