Category Archives for "Recording"
Here’s a great distorted guitar recording tip that I got from Richard Chycki, engineer for Rush, Dream Theater, Aerosmith and many more. I liked it so much I’ve used it on every session since, and included it in the latest version of my Recording Engineer’s Handbook as well. Distorted electric guitar is notoriously difficult to edit, […]
Continue readingKnowing the proper etiquette while recording is almost as important as doing your gig. If you make people uncomfortable or do something that’s considered out of place, chances are that you won’t be asked back. Let’s look at the way everyone expects you to act during the session with these 14 tips taken from The Studio Musician’s […]
Continue readingIf you ever wanted to record some of those authentic Beatles guitar sounds but didn’t know how to go about getting them, then this is the video for you. It uses only modern gear and relies mostly on pedal combinations. Granted, the amp is a Vox AC30 and the guitars and bass are modern versions […]
Continue readingOne of the most important and overlooked aspects of drum miking is making sure that the mics are all in-phase. This is really important because with only one out-of-phase mic, the whole kit will never sound as big as it should, and if not corrected before all the drums are mixed together, might not be […]
Continue readingSimon Phillips is one of the best drummers in the world and has the resume to prove it. From Jeff Beck to The Who to Judas Priest to being a member of Toto and a prolific session drummer, Simon is well respected for not only his playing, but his drum and recording acumen as well. […]
Continue readingWhether you’re in a live situation or in the studio, things can suddenly sound distorted, or there could be no sound output at all. You can spend a lot of time chasing your tail trying to find out what’s wrong unless you have an orderly procedure to follow that allows you to troubleshoot the system […]
Continue readingDirect boxes are something that we use every day in recording, yet take for granted because of their simplicity. Here’s an excerpt from my Recording Engineer’s Handbook that looks at the ins and outs of this useful recording tool. “Direct Injection (DI or “going direct”) of a signal means that a microphone is bypassed, and […]
Continue readingWhen we listen back to those great early AC/DC albums like Back In Black and Highway To Hell we think of what may be the epitome of hard rock guitar sounds. While on the surface you’d look at Angus Young’s fingers on a Gibson SG into a JMP 100 Marshall amp and think that was the sound (and […]
Continue readingOn the journey to becoming a successful studio musician, a lot of roads lead to the same place, but the way it usually works is that someone hears and likes your playing and either hires you or refers you as a result. This excerpt from my Studio Musician’s Handbook (written with studio bassist Paul ILL) outlines the […]
Continue readingWhile it’s safe to say that most engineers rely on experience when choosing which microphone to use in a given situation, these are some things to consciously consider when selecting a microphone. Here’s a list of items to think about from the latest edition of my Recording Engineer’s Handbook. There’s no one mic that works well on everything. […]
Continue readingDrum recording is too often left to trial and error to when getting sounds. Here’s a checklist from the 2nd edition of my Drum Recording Handbook (written with Dennis Moody) that makes sure that the basics are covered (assuming that the drums sound great acoustically) before you open up the mics. “Like the foundation of […]
Continue readingWhen it comes to percussion, we sometimes tend to lump it all in with drum recording technique. That’s far from how it should be approached though, as each different type of percussion needs a special technique in order to optimize the way it’s recorded. Here’s a great video where tablaist Sirish Kumar Manji shows you how to […]
Continue readingI’m always amazed how musicians react to their headphones and cue mixes while recording. Some are extremely picky, needing everything to be as perfect as possible before performing, while others can make do with just about anything that closely resembles a mix and a working headphone or two. Rob Tavaglione recently wrote a nice piece at ProSoundNetwork […]
Continue readingDigital reverbs have come a long way. It’s truly amazing what you can now get for very little money that rivals or betters hardware reverbs costing more than $10k. That said, sometimes there’s nothing like the real thing, even if a little DIY is involved. Speaking of which, the wonderful TapeOp Magazine recently posted a great […]
Continue readingCharlie Drayton is a unique and special player in that he’s equally adept and in demand as a drummer and as a bass player, so his perspective is that of the total rhythm section. Charlie’s long and eclectic list of credits includes such names as Herbie Hancock, Keith Richards, Johnny Cash, Chaka Khan, Mariah Carey, […]
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