Tag Archives for " Al Schmitt "

February 1, 2017

The 4th Edition Of Bobby Owsinski’s Recording Engineer’s Handbook Now Available

Recording Engineer's Handbook 4th editionI’m proud to announce the fully updated fourth edition of my Recording Engineer’s Handbook, a complete compilation of the best recording techniques currently used today.

Along with the rich treasure trove of information from the previous versions of the book, the latest edition also includes new sections on immersive audio recording, electric guitar recording tricks, and DIY microphone and mic preamp kits. Best of all, the information is presented so that musicians, artists, engineers and producers at any level can learn both the basic and advanced skills required to make their recordings shine.

Among the many topics covered in The Recording Engineer’s Handbook 4th edition include:

  • An overview of recording elements, including microphones, preamps, compressors and DAWs, and the secret for getting great sounds even from inexpensive gear
  • Multiple miking techniques for just about any musical instrument or vocal, including how to choose the right mic for any recording situation
  • Prepping and recording drums and percussion, including the keys to a great sounding drum kit
  • Basic tracking and overdub advice and strategies, stereo and immersive audio recording techniques, and much more

Part 2 of the book also includes interviews that feature the wisdom and down-to-earth practical advice offered by a host recording professionals, including all-time greats like Al Schmitt, Eddie Kramer, and Ed Cherney. These hit-maker engineers share their expertise and creative processes behind not only today’s hits, but the classic cuts we’ve enjoyed for years.

The print version of The Recording Engineer’s Handbook, Fourth Edition can be purchased on Amazon, and now there’s a Kindle version as well. The book will also be available at retail book stores and the iTunes book store.

Distribution to colleges and universities is through Ingram. A table of contents and book excerpts can be found at bobbyowsinski.com/recording-engineers-handbook, and an Instructors Resource Kit featuring Powerpoint/Keynote presentations, discussion topics and quizzes for a 12 week semester is also available by request.

7 Traits Of A Great Assistant Engineer

Great Assistant EngineerYou may never work in a studio that has an assistant engineer, and if you own your own gear, you may never be one yourself, but it’s good to find out what an assistant in a major facility like the Record Plant, Capitol, Oceanway or Avatar really needs to know. These 7 tips are excerpted from my Recording Engineer’s Handbook, and many come from the legendary Al Schmitt (who’s won more Grammy’s than any other engineer). They will help you understand what’s expected of an assistant and how to run a professional session, regardless of the level that your on.

1. Good assistants are well-versed in Pro Tools. There are a lot of great DAWs available, but as of the writing of this book, Pro Tools was the standard in every major recording and post studio in the US. Most assistants will also be in charge of running the DAW, and they are better at it than everyone else in the session.

2. Good personal hygiene is a must. No one likes to be in a room with someone who has body oder or bad breath, and artists and producers won’t put up with it. Take a bath, put on clean clothes every day and keep the breath mints handy if you want to keep your job.

3. Good assistants are transparent. When you need them, they’re there; when they’re not needed, they’re in the background. A good assistant is always seen but not heard. He never offers an opinion even when asked. He always has a great attitude and leaves his ego at the door.

4. Good assistants admit mistakes. If you make a mistake, admit it as soon as possible. You may have to take your lumps, but we’ll fix it and move on.

5. Good assistants don’t guess. If someone asks you something that you don’t know, be honest and don’t guess. There are plenty of ways to find something out in a hurry if you don’t know right now.

6. Good assistants keep a notebook. They keep track of all the details of the session, from the setup to the players to the mics used to which songs were recorded in what order, to everything else. It’s a great learning tool, but it may also come in handy later in the project, or the next one.

7. Good assistants know how to make coffee. Coffee is still the fuel that powers a recording session. The better the coffee, the happier everyone will be.

If an assistant engineer exhibits the above traits, it’s likely that they won’t stay an assistant for long if they work hard and have the right attitude. Are there any traits that I missed?

You can read more from The Recording Engineer’s Handbook and my other books on the excerpt section of bobbyowsinski.com.