Category Archives for "Book Excerpt"
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Ken Scott’s Inside Look At Recording The Beatles White Album
The post last week from the Ken Scott bio Abbey Road To Ziggy Stardust was so popular that I thought I’d do it again. Since we’re now celebrating the 50th anniversary of the release of The Beatles White Album, here’s an excerpt from the book describing those sessions. I must admit that I enjoyed reading […]
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Producer Ken Scott On Working With Early David Bowie
Recently I went back and began to read some of the Ken Scott biography Abbey Road To Ziggy Stardust that I was lucky enough to co-write. It’s a great book (if I do say so myself) with some wonderful stories about Ken working with some of the legends of music business. One of my favorites […]
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Want Your Band To Play Tight? Concentrate On These 10 Things
A lot of bands are naturally good because of the caliber of the musicians. Their innate talent causes them to automatically do some things that are important to band tightness, but many of the rest of us sometimes wonder why our band doesn’t seem as tight as it should be, either across all songs or […]
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6 Things To Think About Before Miking A Grand Piano
Many engineers believe that miking a grand piano is the most difficult thing they’re called on to do. Getting it to sound natural can drive an engineer a little crazy sometimes, although that’s not always the sound we’re going for. That said, there are 4 main techniques and multiple variations of each outlined in the […]
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Chuck Ainlay And The Nashville Recording Approach
Chuck Ainlay is one of the new breed of Nashville engineers that brings a rock approach to a country music sensibility. With credits like George Strait, Dixie Chicks, Vince Gill, Trisha Yearwood, Patty Loveless, Waylon Jennings, Wynonna and even such rock icons like Dire Straits and Mark Knopfler, Chuck’s work is heard world-wide. Here’s an […]
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How To Avoid “Big Mono” During Recording
We all love big wide stereo soundfields, especially the ones that come from the stereo output of an electronic keyboard. If you pan too many elements hard left and hard right however, you end up with “Big Mono,” which is a term that my friend Ed Seay likes to use. That means that you actually […]
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Old School/New School Mixing With Bassy Bob Brockman
“Bassy” Bob Brockman has a wide range of awards and credits, including more than 30 Grammy nominations with two wins, and an Oscar nomination. His many credits include Mary J. Blige, Toni Braxton, the Notorious B.I.G., Babyface, Aretha Franklin, Al Green, The O’Jays, Brian McKnight, Jodeci, Faith Hill, Korn, Laurie Anderson, Vanessa Williams, Christina Aguilera, […]
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The Fix It Before You Mix It Checklist
Preparing for the mix can be as critical as the mix itself, since it allows for a more comfortable and efficient mixing session that minimizes mistakes and hassles. This prep occurs before the first fader is raised but sets the stage for an easier and mistake-free mix by having the files properly labeled and all […]
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The Difference Between Your Stage Presentation And The Big Concert You Just Went To
Many artists at varying levels of success put little thought into their stage presentation, and it shows. It’s a rare performer that can captivate an audience by his or her performance alone, and most audiences, even on a club level, expect to be entertained on multiple levels these days. In the following excerpt from my How […]
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6 Tips For Adding Effects To A Mix
One of the reasons why we record elements in stereo is to capture the natural ambience of an instrument. Because we can’t always record everything this way, we must create this aural space artificially, and that can be a problem for some new to mixing. There are so many choices and variables available with effects […]
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6 Exercises To Help You Visualize Your Mix
The essence of mixing is the balance between instruments or mix elements. No matter how good you are at other aspects of the mixing process, if you don’t get the balance right, you don’t have a mix. Here are some questions to ask yourself as well as 6 exercises taken from my Audio Mixing Bootcamp book that […]
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A Look At The Decca Tree Stereo Recording Technique
Even if you never intend to record an ensemble larger than a standard rock, pop, or jazz rhythm section, a good grasp on the many techniques for stereo recording is essential and will come in handy sooner or later. One basic stereo technique is the spaced-pair, which is two identical mics placed several feet apart and […]
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Get The Most Out Of Your Condenser Microphone
A condenser microphone can sometimes require some extra attention that other types of mics don’t need. Here are a number of tips from the 4th edition of my Recording Engineer’s Handbook that can not only prolong the life of your mic, but also keep its performance as high as the day it left the factory. […]
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When It Comes To Panning, Respect The Big 3
One of the most overlooked or taken for granted elements in mixing is panorama, or the act of placing a sound element in the soundfield. To understand panorama we must first understand that the stereo sound system (which is two separate audio channels, each with its own speaker) represents sound spatially. Panning lets us select […]
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Engineer Wyn Davis Talks Hard Rock Basic Tracking Techniques
Best known for his work the hard rock bands Dio, Dokken, Foreigner, Bad Company and Great White, engineer Wyn Davis style in that genre is as unmistakable as it is masterful. From his Total Access Recording studio in Redondo Beach, California, Wyn’s work typifies old-school engineering coupled with the best of modern techniques. Here’s an excerpt […]
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