Category Archives for "Engineering"
It’s fair to say that most people reading my Mixing Engineer’s Handbook are mixing songs recorded with live musicians, but it’s a brave new world out there, and sooner or later you’re going to get some hip-hop in to mix. Needless to say, what works with most other genres won’t necessarily work here, especially when […]
Continue readingThere are many methods of adding EQ to a mix. EQing for clarity, resonant frequency EQing, and frequency juggling immediately come to mind. That said, one of the most overlooked technique is using the EQ to add size to an element, which is particularly important in sparse mixes. Here’s an excerpt from the 4th edition […]
Continue readingLike the foundation of a house, the drums are the foundation of a recording. When it’s strong, you can build almost anything on it that you or your clients can imagine. That said, sometimes you just can’t find the right drum sound and can’t figure out why. Here’s an excerpt from the 4th edition of my […]
Continue readingWhen it comes to hard rock guitar recording and mixing, producer/engineer Joe Barresi is considered the king. He’s worked with Soundgarden, Tool, Queens Of The Stone Age, Slipknot, among many others, and his work is widely admired by both artists and other top-of-the-line engineers. In this video he shows how he treats distorted rhythm and […]
Continue readingEven skeptics agree that once you’ve heard a recording on a well-cut piece of vinyl, it’s hard to go back to listening to anything else, especially to the digital streams that we’re all now used to. The problem with vinyl is that it’s not all done well, sometimes using inferior vinyl, and that it ultimately […]
Continue readingMany engineers believe that miking a grand piano is the most difficult thing they’re called on to do. Getting it to sound natural can drive an engineer a little crazy sometimes, although that’s not always the sound we’re going for. That said, there are 4 main techniques and multiple variations of each outlined in the […]
Continue reading“Bassy” Bob Brockman has a wide range of awards and credits, including more than 30 Grammy nominations with two wins, and an Oscar nomination. His many credits include Mary J. Blige, Toni Braxton, the Notorious B.I.G., Babyface, Aretha Franklin, Al Green, The O’Jays, Brian McKnight, Jodeci, Faith Hill, Korn, Laurie Anderson, Vanessa Williams, Christina Aguilera, […]
Continue readingPreparing for the mix can be as critical as the mix itself, since it allows for a more comfortable and efficient mixing session that minimizes mistakes and hassles. This prep occurs before the first fader is raised but sets the stage for an easier and mistake-free mix by having the files properly labeled and all […]
Continue readingOne of the things I’ve found over the years is that it’s easy to interpret the demands of a client during a mix if you understand what they’re trying to get across. It’s amazing how just a single word can describe a frequency condition if we know what to listen for. That said, it’s sometimes […]
Continue readingOne of the reasons why we record elements in stereo is to capture the natural ambience of an instrument. Because we can’t always record everything this way, we must create this aural space artificially, and that can be a problem for some new to mixing. There are so many choices and variables available with effects […]
Continue readingThe essence of mixing is the balance between instruments or mix elements. No matter how good you are at other aspects of the mixing process, if you don’t get the balance right, you don’t have a mix. Here are some questions to ask yourself as well as 6 exercises taken from my Audio Mixing Bootcamp book that […]
Continue readingA condenser microphone can sometimes require some extra attention that other types of mics don’t need. Here are a number of tips from the 4th edition of my Recording Engineer’s Handbook that can not only prolong the life of your mic, but also keep its performance as high as the day it left the factory. […]
Continue readingOne of the most overlooked or taken for granted elements in mixing is panorama, or the act of placing a sound element in the soundfield. To understand panorama we must first understand that the stereo sound system (which is two separate audio channels, each with its own speaker) represents sound spatially. Panning lets us select […]
Continue readingOne of the hardest things to record can be a vocalist who is not comfortable with the studio conditions. Even a seasoned pro sometimes can’t do his or her best unless the conditions are just right. Consider some of these suggestions culled from the 4th edition of my Recording Engineer’s Handbook before and during a […]
Continue readingI’m really pleased to announce that Sonarworks has selected my 101 Mixing Tricks course in its 2018 A-Z Mixing Tutorial Guru Guide. Thanks to Lee Chapman and everyone at the company for the recognition! If you don’t know about the 101 Mixing Tricks course, it’s techniques that I’ve garnered from some of the greatest mixers on […]
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