Category Archives for "Engineering"
Whether you’re in a live situation or in the studio, things can suddenly sound distorted, or there could be no sound output at all. You can spend a lot of time chasing your tail trying to find out what’s wrong unless you have an orderly procedure to follow that allows you to troubleshoot the system […]
Continue readingYou might have noticed that in the last few years, the differences in level between television shows, commercials, and channels are pretty even, with no big jumps in volume. That’s because viewers were complaining for years about the fact that there was a dramatic increase in level whenever a commercial aired because it was so compressed […]
Continue readingDirect boxes are something that we use every day in recording, yet take for granted because of their simplicity. Here’s an excerpt from my Recording Engineer’s Handbook that looks at the ins and outs of this useful recording tool. “Direct Injection (DI or “going direct”) of a signal means that a microphone is bypassed, and […]
Continue readingWhile it’s safe to say that most engineers rely on experience when choosing which microphone to use in a given situation, these are some things to consciously consider when selecting a microphone. Here’s a list of items to think about from the latest edition of my Recording Engineer’s Handbook. There’s no one mic that works well on everything. […]
Continue readingWe all have our favorite mics for recording specific instruments in the studio, but when it comes to miking them live, everything is out the window. Mostly that’s because mounting many mics can be a pain. While you can afford to spend time getting the placement just right in the studio, when it’s live everything is […]
Continue readingI’m always amazed how musicians react to their headphones and cue mixes while recording. Some are extremely picky, needing everything to be as perfect as possible before performing, while others can make do with just about anything that closely resembles a mix and a working headphone or two. Rob Tavaglione recently wrote a nice piece at ProSoundNetwork […]
Continue readingSometimes getting an electric guitar sound is dead easy and other times getting it to fit into the track seems nearly impossible. Here’s an excerpt from my Audio Recording Boot Camp book that provides an almost foolproof method for miking a guitar amp. “Electric guitar recording has evolved through the years, from miking the guitar amp from a […]
Continue readingEveryone wants their music to sound great on Spotify or Pandora, but making a master requires a little more forethought than just getting a loud master. In that spirit, here’s an excerpt from the latest Mastering Engineer’s Handbook 3rd edition that provides 3 tips for a better sounding online music. 1. Turn it down a bit. […]
Continue readingOne of the first things I learned to do when I was a young musician was to solder so I could build and fix my own cables and gear. The number of hours I spent in my parents basement burning my fingers while learning the art is forever seared in my brain. I rarely do […]
Continue readingJazz engineer Rudy Van Gelder passed away last week at age 91, and although many won’t recognize the name, he was a giant in the industry. He was responsible for recording some of the greatest jazz albums ever by artists like John Coltrane, Miles Davis, Donald Byrd, Thelonious Monk, Sonny Rollins, Wayne Shorter and hundreds more. While […]
Continue readingHere’s a priceless film from 1937 that shows Duke Ellington in the studio recording, and the process of making a vinyl record release afterwards. There’s a lot to notice in the video that will make you appreciate the recording process from back then. First of all, notice that the band is recorded on a single microphone. […]
Continue readingEd Cherney has become one of the legends of the audio end of the music business, having won 3 Grammys, an Emmy award, 5 TEC awards and been inducted into the TEC hall of fame. His client list is a who’s who of great artists that include Bonnie Riatt, The Rolling Stones, Eric Clapton, Bob […]
Continue readingWith virtual reality becoming more and more popular, surround sound is making a comeback. While most of the concentration on the audio side of things is on mixing, the fact of the matter is that there’s a lot of interesting information that can be captured during recording. Here’s an excerpt from my Recording Engineer’s Handbook […]
Continue readingOne of the things that many musicians and engineers don’t realize is that there’s a way to actually measure sound isolation, and this excerpt from my Studio Builder’s Handbook (co-written with Dennis Moody) shows a real world comparison between different materials and isolation levels. “Before we get into how sound isolation is accomplished, we need […]
Continue readingYou may never work in a studio that has an assistant engineer, and if you own your own gear, you may never be one yourself, but it’s good to find out what an assistant in a major facility like the Record Plant, Capitol, Oceanway or Avatar really needs to know. These 7 tips are excerpted from […]
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