Category Archives for "Engineering"

6 Steps To Troubleshooting Distortion When Recording

troubleshooting distortion

There you are in the middle of a perfect take when you hear the audio cracking up. It’s distorting but you don’t know where. Before you pull your hair out, check out these 6 steps that will help you track it down in a quick and methodical manner. 1. Is the microphone preamp overloading? Is […]

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3 Techniques For Recording Acoustic Guitar

recording acoustic guitar

Acoustic guitar by nature varies so much from instrument to instrument that one miking style definitely won’t work on everything. Luckily, there are a lot of different techniques available, and while all the others might let you down, one of the following 3 techniques from my Recording Engineer’s Handbook is sure to work. Considerations • […]

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Listen To The Sound Of A Neutron Star

neutron star

It’s funny how life presents unusual opportunities that can sometimes lead us down a path that becomes our life’s work, yet we never had an inkling about it previously. That’s what happened to Mark Ballora. During the first year of his PhD, he was asked to turn heart rate data into audio, and he’s been turning […]

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Mack On Recording Queen And ELO

Mack

With a who’s who list of credits such as Queen, Led Zeppelin, Deep Purple, The Rolling Stones, Black Sabbath, Electric Light Orchestra, Rory Gallagher, Sparks, Giorgio Moroder, Donna Summer, Billy Squire, and Extreme, the producer/engineer who goes simply by the name Mack has made his living making superstars sound great. Having recorded so many big […]

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Sam Okell talks about remixing Sgt Pepper

Sgt Pepper Sam Okell

Abbey Road Studios senior engineer Sam Okell had the unenviable task of remixing one of the most listened to and beloved album of all time – the 50th anniversary release of The Beatles seminal Sgt Pepper. Sam and producer Giles Martin (son of original Beatles engineer George Martin) were tasked with a job that many […]

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Eddie Kramer On Recording Jimi Hendrix

Eddie Kramer

Engineer/producer Eddie Kramer has a resume that’s a mile long, but the credit that he’s forever tied to is Jimi Hendrix. I was lucky enough to be able to spend some time with him a few yeas ago, and he gave me this great interview for The Recording Engineer’s Handbook. Here’s an excerpt from his […]

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Geoff Emerick On Recording The Beatles’ Sgt. Pepper

Geoff Emerick

Geoff Emerick is one of the 5 engineers to work with The Beatles and is probably the one most identified with the group. Other than his great book (Here There And Everywhere: My Life Recording The Beatles), you don’t hear him speaking very much about the experience. He goes into great detail in this recent interview for […]

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Spotify Drops It’s Loudness Target So No Need For Loud Mixes Anymore

Spotify Loudness Target

Artists, producers and record labels have been obsessed over final mix volume levels for over 30 years now, as mix levels are raised to ridiculous levels where even distortion no longer matters. The problem is that we’ve known for a long time now that severely compressed low dynamic range mix levels are counterproductive and can even hurt it […]

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3 Techniques For Recording Bass Guitar

2 mics on bass cabinet

Just like the acoustic bass (and just about all instruments), a great bass sound is dependent upon the instrument itself, the player, the amp, and the room. The player has to be able to achieve the tone you’re trying to record with his fingers first and foremost. This excerpt from the 4th edition of my […]

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Sylvia Massy’s Glowing Pickle Filter

Sylvia Massy Pickle Filter

Producer/engineer Sylvia Massy is fearless when it comes to trying things in the studio, especially if it involves guitars. Guitar players are usually willing subjects for experimentation since the search for the perfect sound continues seemingly forever, but how many players have ever considered a big fat dill pickle to use as a filter? Sylvia (who will […]

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5 Easy Steps To In-Phase Drum Mics

drum mics phase

Phase is important to a great drum sound, but often overlooked. That’s why some drum recordings just don’t sound right, and no amount of processing can make them sound better. Here’s an excerpt for the 4th edition of my Mixing Engineer’s Handbook that outlines 5 easy steps to getting those drum mics in-phase. The chances […]

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