Tag Archives for " reverb "
The world is currently flooded with reverb plugins and just about all of them are usable with a few that are truly fantastic. That said, most are based on the impulse response of either some excellent sounding recording environments, or early hardware reverb gear. What you don’t see much is some truly natural spaces, especially […]
Continue readingI remember the first time I used the original Eventide SP2016 reverb back in the mid-80s. There was something about the sound that made it instantly useable. Unlike other reverbs then and now, you didn’t have to fiddle with it to make it work in the track. It just sounded “right.” The hardware 2016 was […]
Continue readingWe all love the tactile features of a console, which is why many engineers opt for a hardware controller of some sort when it comes to mixing. With that in mind, it looks like a new trend is beginning to unfold as plugins are now being combined with a dedicated hardware controller, and TC Electronic […]
Continue readingabout everyone has a 500 series rack these days, but we usually load them with the same three categories of modules – preamps, EQs, and compressors. Audified might change your mind about what else you can load into your rack with the release of its new Synergy R1 500 series reverb module. The R1 is […]
Continue readingThe Reverb.com gear site seemed to come out of nowhere and usurp eBay as the most used place online to buy and trade instruments and audio gear. Since it’s launch in 2013, the site has grown in leaps and bounds to the point where sales are expected to reach $429 million this year, according to the […]
Continue readingIf you were involved in any part of the analog recording age you know that Lexicon was the king of reverbs and that one type or another of the company’s hardware products would be found in any studio. The top of the line product for the company was the 480L and it was the standard […]
Continue readingIf you’ve ever used the Bricasti M7 reverb, you know how spectacular it sounds, so much so that it’s spoiled many an engineer when it comes to using anything else. While there are some excellent sounding reverb plugins available, if you’re a fan of the hardware M7 then you know that they don’t quite cop the exact […]
Continue readingIf you grew up in the days of recording studios built around consoles and hardware, then you were probably used to using a Lexicon reverb. Although not the first digital reverb, the Lexicon 224 and subsequent versions became a must-have for every studio to have in its arsenal in no time, and we all grew to […]
Continue readingI know, I know. You can’t finish that mix until you get the sound of an old surveillance tower to pull it all together. But where to find one? Well you’re in luck as the impulse responses from the Teufelsberg National Security Agency tower in West Berlin are now available. Best of all – it’s a free […]
Continue readingWe’re starting to see more and more next generation DAW plugins where outside the box thinking results in an easier user interface which ultimates leads to new or more useful sounds. Nowhere is that more evident than with the new FabFilter Pro-R Reverb plugin which takes many of the more difficult reverb concepts and controls and presents them […]
Continue readingI really love Exponential Audio plugins because you get high performance effects that don’t require a ton of CPU power at a reasonable price. While the company’s existing plugins are very cool indeed, Exponential founder (and ex-Lexicon engineer) Michael Carnes has outdone himself this time with his new NIMBUS reverb, a true next-generation plugin. NIMBUS takes the […]
Continue readingDigital reverbs have come a long way. It’s truly amazing what you can now get for very little money that rivals or betters hardware reverbs costing more than $10k. That said, sometimes there’s nothing like the real thing, even if a little DIY is involved. Speaking of which, the wonderful TapeOp Magazine recently posted a great […]
Continue readingWhen signal processing is timed to the pulse of the track, everything in the mix sounds a lot smoother. This applies to compressors, delays, modulators, and especially reverb. One of the questions I get a lot is, “How do you time your reverb to the track?” There’s a step by step tutorial in my Audio Mixing […]
Continue readingThe Who’s “Baba O’Riley” is one of the most played tracks in the entire band’s catalog, to the point were just about every fan (and non-fan’s alike) know each note and part by heart. That’s why today’s isolated track is so cool. It strips away the arpeggiated synthesizer and, in some parts, the piano, to give you […]
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