Category Archives for "Software"
Matching the sound of a mix has never been easy, yet it’s essential in learning the craft, or for pros, getting closer to a sound that the artist likes. In the past it’s all been done by matching by ear and as fruitful as that can be, it does take time. Recently there’s been a […]
Continue readingOne thing you can say about Universal Audio is that the company is always coming out with new products, and most of them are designed to be simple and easy to use. The philosophy seems to be “Let’s make it as easy as possible for the user to get a great sound and not complicate […]
Continue readingMultiband compressors are a powerful tool in any mixing or mastering toolbox, but they’re usually a little finicky to set up. As a result, many engineers don’t want to spend the time it takes to tweak them properly. Anything that makes that process easier is welcome, and that’s one reason why the new Leapwing DynOne […]
Continue readingIn a perfect world, we’d all like our projects mastered by one of the A-list mastering houses, but budgets being what they are, that’s not always possible. If that’s the case, self-mastering is the only alternative. That said, tere are a lot of mastering tools on the market these days and most of them are […]
Continue readingOne of the coolest tricks I learned as a young mixing pup was micro-pitch shifting. This technique to thicken up a vocal required 2 Harmonizers, with one tuned up by 5 to 8 cents and the other tuned down by the same amount. As you mixed the effect in, you could thicken up any vocal […]
Continue reading11 time Grammy-winner Mick Guzauski has been an A-list mixer for some time, having mixed 27 #1 hits spanning multiple genres with credits that include Daft Punk, Prince, Leann Rimes, Eric Clapton, Christina Aguilera, Talking Heads, Britney Spears, J-Lo, Michael Jackson and many more. Mick started with a basic home by in his home town of Rochester […]
Continue readingFor years every mixer had their own go-to way to check a mix to make sure it would translate well to the outside world. For many it was the Auratone or NS-10, others referred to the handy boom box, some to computer speakers, and most everyone ended up evaluating their mix in the car at […]
Continue readingThe digital world that we live in presents a big problem for artists, labels, producers, engineers, and session players, and that’s getting paid and receiving credit for the work they’ve created. Even though a song is being streamed from the likes of Spotify, Apple Music or any of the other dozens of streaming platforms doesn’t […]
Continue readingAnyone that’s ever tried to manually create a Doppler effect simulation will know that it’s way easier said than done. It seems like a little panning, automated EQ, pitch change and ambience and you’ll have it, but it’s way more complicated than that. That’s why the new Tonstrum TRAVELER plugin is so cool. It precisely models […]
Continue readingAcoustic stringed instrument players have always suffered from amplification problems in a live environment. Place a microphone on the instrument and you’ll get at least some change in tonal quality and usually a lot of leakage, regardless of the quality of the microphone that you use. Resort to a pickup and the instrument no longer […]
Continue readingI often get asked what plugins I regularly use, so a few years ago I decided to share my plugin thoughts with a personal Top 10 list. Here’s my edition for 2018, which isn’t all that different from last year except that it has fewer compressors, since I’ve found myself using less and less compression […]
Continue readingWe’ve all had those situations where we’ve had to record a noisy electric guitar or keyboard, or just found the background noise on a track too much to handle. Sure, sometimes the noise gets covered in the mix, but it’s also cumulative, so 4 or 5 noisy tracks can really muddy up a mix. There […]
Continue readingFor the longest time musicians, artists, engineers and producers were used to slaving over songs for long periods of time in the studio. Creation took time, and it went from the more or less 3 hour sessions of the 50s and 60s to the months and even years of the 1990s and 2000s. Thankfully, the […]
Continue readingHaving your preferred DAW in your studio is never a problem time-wise because we usually have enough time to use it. Song to song setup takes a few minutes, but usually isn’t a problem even in the most time-compressed situations. Setup for recording a live gig is a lot more intense though, since time is […]
Continue readingFor a good part of the analog audio hardware years of the 80s and 90s, the TC Electronic TC-2290 delay was a standard in every studio. It offered excellent quality delays coupled with some amazing modulation effects to take it leaps and bounds beyond anything else on the market at the time. Since we’ve hit the […]
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