Tag Archives for " mixing "
Equalization is one of the most difficult parts of recording to get the hang of since there’s literally almost an infinite number of possibilities. Most of us learn by experience and usually massive amounts of trial and error before our ears become trained to recognize EQ problems when we hear them, but there are some very […]
Continue readingKevin Killen is a great engineer with a host of big time credits (U2, Elvis Costello and Peter Gabriel, for instance) and he’s been much in demand as a mixer for a long time. When I wrote the first edition of The Mixing Engineer’s Handbook, Kevin was one of the mixers I most wanted to […]
Continue readingI must admit I’m an old school engineer in that I was brought up trying to avoid distortion at all costs, but that’s not the world we live in today. It’s now pretty common to add texture to a sound by adding distortion and saturation, something that I’ve generally stayed away from in the past. […]
Continue readingOne of the things I’ve found over the years is that it’s easy to interpret the demands of a client during a mix if you understand what they’re trying to get across. It’s amazing how just a single word can describe a frequency condition if we know what to listen for. That said, it’s sometimes […]
Continue readingOne of the reasons why we record elements in stereo is to capture the natural ambience of an instrument. Because we can’t always record everything this way, we must create this aural space artificially, and that can be a problem for some new to mixing. There are so many choices and variables available with effects […]
Continue readingOne of the most overlooked or taken for granted elements in mixing is panorama, or the act of placing a sound element in the soundfield. To understand panorama we must first understand that the stereo sound system (which is two separate audio channels, each with its own speaker) represents sound spatially. Panning lets us select […]
Continue readingGary Lux is one of Hollywood’s premier music mixers with literally thousands of projects to his credit with major artists like Usher, Keith Urban, Sting, Ben Harper, Janet Jackson and Rob Thomas. Before going independent in 1988, Gary was the head music mixer for Universal Studios, where he garnered two Emmy Award nominations for his […]
Continue readingSteven Slate not only builds products that are widely used by hitmakers everywhere, but he also has a great deal of recording and mixing expertise. This is understandable in that you can’t build a good product unless you know what you’re looking for it to be able to do. Steven has a great VLOG where […]
Continue readingEqualization is one of the most difficult parts of recording to get the hang of since there’s literally almost an infinite number of possibilities. Most of us learn by experience and usually massive amounts of trial and error, but there are some very simple general guidelines that can be an enormous help for those new to […]
Continue readingThese days a typical session has plenty of tracks that wonât be used in the final mix. Deleting or hiding these tracks and then putting the rest in a logical order can be the single most useful thing you can do while prepping your mix. In this excerpt from the 4th edition of my Mixing […]
Continue readingAs I’ve written before, there’s no need to do specific mixes for streaming services like Spotify, since most labels and aggregators like TuneCore will submit a 44.1kHz/16 bit file anyway. Plus, the streaming services do their own encoding and normalization, so there’s no benefit in doing it yourself. That said, it’s always good to know what […]
Continue readingAndrew Scheps has worked on mega-hit albums for a who’s-who of superstar artists such as Red Hot Chili Peppers, Metallica, U2, Justin Timberlake, Jay-Z, the Rolling Stones, Linkin Park, Jewel, Neil Diamond, and Adele. We had an excellent chat that was included in the latest edition of my Mixing Engineer’s Handbook, and here’s part of […]
Continue readingIt’s always fun to see how great mixers do their thing. The fact of the matter is, no two mixers do the same thing, and no two mixes will ever sound the same, but the journey to get there is always fascinating and there’s always something new to learn. In this video, Grammy-winning mixer Mick Guzauski […]
Continue readingIf you’ve enjoyed the big hits from Lady Gaga’s The Fame and The Fame Monster albums, such as “Poker Face,” “Paparazzi,” and “Just Dance,” then Robert Orton is your man. After spending eight years at the side of producer extraordinaire Trevor Horn, Robert has gone on to craft hits for Robbie Williams, Enrique Iglesias, Ellie […]
Continue readingMany producers using home or small studios are forced to use headphones late at night so they don’t disturb the family or the neighbors. That’s obviously not a method that many would recommend for a great mix, but it’s possible to attain something reasonable using headphones if you’re aware of the pros and cons involved, which […]
Continue reading