Category Archives for "Recording"
Chuck Ainlay is one of the new breed of Nashville engineers that brings a rock approach to a country music sensibility. With credits like George Strait, Dixie Chicks, Vince Gill, Trisha Yearwood, Patty Loveless, Waylon Jennings, Wynonna and even such rock icons like Dire Straits and Mark Knopfler, Chuck’s work is heard world-wide. Here’s an […]
Continue readingWe all love big wide stereo soundfields, especially the ones that come from the stereo output of an electronic keyboard. If you pan too many elements hard left and hard right however, you end up with “Big Mono,” which is a term that my friend Ed Seay likes to use. That means that you actually […]
Continue reading11 time Grammy-winner Mick Guzauski has been an A-list mixer for some time, having mixed 27 #1 hits spanning multiple genres with credits that include Daft Punk, Prince, Leann Rimes, Eric Clapton, Christina Aguilera, Talking Heads, Britney Spears, J-Lo, Michael Jackson and many more. Mick started with a basic home by in his home town of Rochester […]
Continue readingWe’ve all been there. You’re either on stage or in the studio with a drummer that has no idea that his or her cymbals are way louder than the rest of the kit. Everything’s fine until you come to a tom fill or chorus when either the crash (the usual culprit) or the ride cymbal […]
Continue readingGuitarist Hank Marvin has been a huge influence on top British guitar players like Eric Clapton, Mark Knopfler and Jeff Beck, who in turn became huge influencers on generations of guitar players that followed them. While Hank is a great player, one of the things that separates him from everyone else is the unique ambience […]
Continue readingAcoustic stringed instrument players have always suffered from amplification problems in a live environment. Place a microphone on the instrument and you’ll get at least some change in tonal quality and usually a lot of leakage, regardless of the quality of the microphone that you use. Resort to a pickup and the instrument no longer […]
Continue readingEven if you never intend to record an ensemble larger than a standard rock, pop, or jazz rhythm section, a good grasp on the many techniques for stereo recording is essential and will come in handy sooner or later. One basic stereo technique is the spaced-pair, which is two identical mics placed several feet apart and […]
Continue readingA condenser microphone can sometimes require some extra attention that other types of mics don’t need. Here are a number of tips from the 4th edition of my Recording Engineer’s Handbook that can not only prolong the life of your mic, but also keep its performance as high as the day it left the factory. […]
Continue readingOne of the hardest things to record can be a vocalist who is not comfortable with the studio conditions. Even a seasoned pro sometimes can’t do his or her best unless the conditions are just right. Consider some of these suggestions culled from the 4th edition of my Recording Engineer’s Handbook before and during a […]
Continue readingBest known for his work the hard rock bands Dio, Dokken, Foreigner, Bad Company and Great White, engineer Wyn Davis style in that genre is as unmistakable as it is masterful. From his Total Access Recording studio in Redondo Beach, California, Wyn’s work typifies old-school engineering coupled with the best of modern techniques. Here’s an excerpt […]
Continue readingHaving your preferred DAW in your studio is never a problem time-wise because we usually have enough time to use it. Song to song setup takes a few minutes, but usually isn’t a problem even in the most time-compressed situations. Setup for recording a live gig is a lot more intense though, since time is […]
Continue readingThere’s so much to more to getting a great electric guitar sound that goes beyond just slapping a miking in front of an amplifier speaker. These 10 tips from the 4th edition of my Recording Engineer’s Handbook will help take that guitar sound to the next level in the majority of situations that you’ll run […]
Continue readingThere are few more versatile engineers today than Michael Bishop, easily switching between the classical, jazz, and pop worlds with ease. Shunning the current recording method requiring massive overdubbing, Michael instead mostly utilizes the “old school” method of mixing live on the fly with spectacular results. A former chief engineer for the audiophile Telarc label […]
Continue readingSometimes a picture is worth a thousand words and these 4 pictures tell you all you need to know about how audio recording has evolved over the years. There are really 4 eras to audio recording – the acoustic era, the electronic era, the magnetic era, and the digital era. Let’s look at some great […]
Continue readingThe chances for a phase problem are far greater on the drum kit than in almost any other band-level situation because it usually has more mics on it than any other instrument. That said, there is a simple technique for checking for a problem as outlined in this excerpt from the 4th edition of my […]
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